Saturday, March 19, 2011

"Batmania 4"

In which a freakish Batman gets squeezed off the page by an even more twisted freak. Fortunately, there's a British paratrooper officer there to direct traffic and keep things sensible and sane. Yes, another sketchbook junk-o-rama.

I am working on some reviews, though. I'm reading John Byrne's new series John Byrne's Next Men from IDW. Now there's a surprise-- I'd heard nothing of Byrne returning to this property. I went to my local comic book store and there it was. During the early 90s comics boom when every publisher started churning out new "universes" and Dark Horse debuted its Legend imprint, Next Men was one of my regular-- albeit somewhat frustrating-- reading titles. The characters and situations intrigued me, the slow pace annoyed me. Then Byrne moved the book into more conventional modes and I abruptly lost interest and stopped reading it. Here we are more than a decade later and I'm reading it again. Full review of the first 4 issues coming up soon!

Also in the works-- a post on Fred Hembeck! Slug from Micronauts! More crazy deconstruction of old Planet of the Apes comics!

Plus the usual frivolity.

Friday, March 18, 2011

TV's Wonder Woman's Costume's Big Reveal's Revelation!

Because I love using possessives, that's why. Oh, you didn't ask. Well, in that case, here's the first image of the costume for the National Broadcasting Company's new Wonder Woman television program starring Adrianne Palicki. Let me tell you-- with a get-up as eye-catchingly kaleidoscopic as this the producers definitely need to lens this program in the new "color" (or "colour") format I've been hearing so much about since the World's Fair. But I must warn parents. Take heed! If you allow them to watch this weekly serial, your children may become unduly influenced by Miss Palicki's variegated duds and experience a loosening of their moral fiber. In this event, they may be led astray down the garden path of flamboyant sartorial deviance that leads inevitably to beatnikdom and then... the grave.

Well, it looks silly but about as good as could be expected, I suppose. The colors evoke feelings of Mom's apple pie and baseball, the latex bustier and high heels fears of the whip. The accessories-- the tiara, bracelets and belt-- plus the stars down the leg are more Toei than Time-Warner; she's the Boobs Power Ranger or some space queen who'd aid the live-action senshi of Pretty Guardian Sailor Moon. She and Kamen Rider could work together on a case, then hang out at Starbucks. What else might they have done? With maybe a couple of tweaks this could actually work much better as the comic book version's costume than her current outfit. Goodness gracious, I'm afraid I wasn't prepared for how goofy it looks on a flesh-and-blood human being person type individual. Who isn't a 4-color drawing.

It can still work. At 5'11" (according to IMDB, anyway), Ms. Palicki is certainly statuesque enough for the part, and those clenched fists promise some feats of strength and combat derring-do. I hope she brings a dignified and powerful presence to the role and overcomes the costume. But I suppose a great deal depends on the show's approach.

The 70s Wonder Woman was extremely campy-- although even as a fan who never missed an episode, I was too young to appreciate this aspect and accepted it as straight adventure a la The Six Million Dollar Man and The Bionic Woman-- and Lynda Carter had a self-awareness about her that made the star-spangled swimsuit work. Plus she had the advantage of looking like a comic book drawing come to life. Stunningly beautiful. As is Ms. Palicki, but even if the new show's scripts are superlative, her biggest battle will be with that outfit. I feel for her. Many a superhero has suffered ignominious defeat at the hands of insane haberdashers.

Any time you put someone in red, blue and gold rubber with stars and stylized eagles and W's all over, it's going to look garish. But most comic book costumes run the risk of making any actor appear ridiculous and by extension, the show in which she or he appears. If your Steve Trevor is played by Lyle Waggoner (late of The Carol Burnett Show), your intention is obviously to embrace this aspect. How Ms. Carter managed not to appear silly and undignified while pretending to deflect bullets with her bracelets truly is a wonder. She was Wonder Woman to me, and I adored her. Now that I'm older, I realize she pulled it off not only because of her physical embodiment of the part-- again, she looked gorgeous in the costume-- but also because she was in on the joke.

In this case, however, there's the David E. Kelley factor. God knows what goes on inside that guy's brain, but when that crazy stuff makes it to America's television sets, people tend to feel... ways... about it. Strongly so. Except for me. I've merely mildy disliked all his shows, to be quite honest, and largely ignored them. On the other hand, my very conservative mom has loved each of them, up to and including Harry's Law.

So my modest prediction is-- whatever this show's quality, people are going to be blogging the hell out of Wonder Woman when it airs. Oh yes, there will be blogging. There will be opinions. Opinions galore. People will discuss its ramifications and ascribe to it a certain level of importance. The costume will matter; it more than likely already does. I'm writing about it, after all.

Some will excoriate Wonder Woman and Mr. Kelley. Others will defend them. They'll want to tell you all about how they came to these conclusions. Some people may take offense. There will be comment hostilities following essays both thoughtful and asinine or both by turns (like this one). Chastisement and rapprochement in equal measures followed by more conflict. The comics blog world may never know peace again. I'ma stay the hell out of it and watch Super Friends:



Can Wonder Woman escape the fate of recent genre failures such as The Cape and the Bionic Woman (they even edgily dropped the "The" and still flopped) remake? Will the show please comic fans and a more general audience? In those plastic pants and leather high-heeled boots, if this Wonder Woman does she really will earn that superlative!

Jillian and Mariko Tamaki have made a new book

I read about this on Jillian Tamaki's site and it's news that has me excited-- which is no small feat in these troubling days where I spend most of my time either doodling or watching the news unfold in Japan. Jillian and her cousin Mariko, creators of of the touchingly written and gorgeously illustrated 2008 Ignatz award-winning graphic novel Skim (whew... out of breath) have a new book coming out from Groundwood Books. It's called Awago Beach Babies and it's something to look forward to.

Skim is pure love in book form. When I was deciding what to discard and what to keep during my final months in Japan-- weight and shipping costs being major factors-- I gave away stacks of graphic novels to my students. I tried to choose ones I thought best fit each person's likes or matched his or her personality. Skim, however, proved problematic. For one thing, there were too many students I thought would enjoy it and giving it to one would have been unfair to the others. For another, the story speaks to me in ways we only speak to our closest friends and I really would have felt awkward giving it to someone with whom I had a more or less professional relationship. Isn't that kind of stupid? Anyway, that's how I felt.

Finally, I selfishly wanted to keep it for myself, dang the weight and expense. Looking back, it might have been cheaper to give it away to one of my closest friends there-- I'm sure she would have appreciated it and treasured it as much as I do-- and then re-purchase it once I got back to the United States. But this was the Skim I first read. When my eyes first saw Jillian Tamaki's art, it was while holding this particular copy. When I learned who Kimberly Keiko Cameron was, it was through Mariko Tamaki's writing on these particular pages.

I'm the kind of person who gets emotionally attached to books. The stories they tell, how they tell them, the emotions they draw forth when I read them, the secrets they reveal.

Wednesday, March 16, 2011

Now to lighten the mood with a rant about Guy Davis


What's happening here? There are two Al Williamson heads there-- Flash Gordon and Dr. Hans Zarkov and then a wary-looking Guy Davis Andrew Devon. That jumbled nonsense to the right is part of a Mike Mignola Hellboy. Three artists whose work I greatly admire represented in one badly-drawn tribute sketch!

So I suppose what I'm saying is this rant is more of a rave. I really enjoy looking at Guy Davis's work. It's a visual pleasure. It's within the Mignola Family of Mignola-esque artists along with Ryan Sook (at one point) and Duncan Fegredo (at least on Hellboy), but he's got a loose, lively line and extremely easy-to-follow storytelling-- in BPRD "King of Fear" #5, there's a 2-page airplane crash sequence that you'd completely understand even if those pages were dialogue-free. And it's not just any old plane crash-- the passengers and crew emerge from the wreckage having been transformed into hideous lumpy crab-monsters. Davis doesn't rely so much on heavy areas of black the way the other Mignola Family (or Hellboy Universe) artists do, so his books are little more colorful and and not so dark.

Unlike a lot of artists who do "photorealism," Davis's looser, more expressive style means his figures are integrated into the backgrounds in a seemless whole-- people, monsters and their environment have a winning consistency. Too many times I'm put off by these almost photographically rendered figures who inhabit blank space or stark, nearly empty rooms. They look pasted in there; there's a disconnect and the whole effect is awkward. Consequently, Davis's stories have more verisimillitude no matter how ridiculous or outrageous the locale.

And finally, Davis's work has appeal, that ineffable quality that makes you want to look at it. Not everyone has that no matter how good they are at rendering. Toth had it, Williamson had it, Kirby had it, Alex Ross has it (to contrast the expressionists... although his storytelling is too static and posed), Mike Allred has it, Steve Rude, Mike Mignola, Kojima Goseki, Los Bros Hernandez, Jillian Tamaki (I'm specifically mentioning her now because of some news about her I want to write about later), some of the artists doing Archie comics-- and Guy Davis. Plus many more I could name. It's not a matter of style; it's a matter of artistic charisma.

I ain't got it. That's the one thing I wish I had, but I find my own work leaves me somewhat cold. It's amusing and it makes me laugh frequently, but that's about it. And I mean my finished, polished pieces, not sketchbook exercises like the ones I've been posting-- although these also crack me up. Oh well.

Tuesday, March 15, 2011

Here's a more comprehensive list of charities

If you are so inclined, please check out this list and the information it contains about various organizations that are attempting to aid Japan during this crisis. This site also contains some useful advice on giving you might want to consider.

Donate money...

Here are links to the three organizations I chose to donate to (partially because I respect their missions and partially because of the percentage of the donation that goes directly to the relief efforts as opposed to administrative functions):

1. Save the Children
2. International Medical Corps
3. GlobalGiving

That's not a knock against these other organizations that are helping Japan now, too, many of which I've donated to in the past. I do things intuitively. Make up your own mind, but please help:

1. The American Red Cross
2. Salvation Army
3. Doctors Without Borders
4. Peace Winds
5. Operation USA
6. International Fund for Animal Welfare (for animal lovers)

This is only a very limited list. There are many other groups, agencies, organizations and foundations that are also contributing to Japan's needs. I urge you to take some time and find the one that feels right for you and help those who need.

Donate directly...

1. Food (instant foods, dietary supplements, baby foods)
2. Warm blankets
3. Clothing;
4. Baby clothes, and DIAPERS!!!!

Attn: Earthquake Relief Supplies
Miyagi Prefectural Office
3-8-1, Honcho
Aoba-ku, Sendai city, Miyagi
980-8570, JAPAN

Attn: Earthquake Relief Supplies
Iwate Prefectural Office
10-1 Uchimaru Morioka city, Iwate
020-8570,JAPAN

Attn: Earthquake Relief Supplies
Aomori Prefectural Office
1-1-1 Nagashima, Aomori city,
Aomori, 030-8570, JAPAN

Attn: Earthquake Relief Supplies
Fukushima Prefectural Office
2-16 Sugitsuma-cho, Fukushima City
960-8670, JAPAN

NOTE: If you send food, please make sure all the items in each box are the same. Also, new baby clothes, not secondhand. That may change if things become more desperate, but apparently that's the rule for now. Believe me, your contributions will be GREATLY appreciated.

(From my friends Jon and Hiromi Bauer)