Class! Class! Let's compare the live action Isis characters to their comic book counterparts...

Okay, class.  Good morning, glad to see you're all here.  We're going to do something a little different today.  That's right, Cindy, this will be on the test.  So pay attention all of you and take notes.  Let's take a look at the DC comics versions of our favorite characters from the Filmation live action TV series Isis-- also known as The Secrets of Isis-- and see how alike or different they are from the real thing.  Yes, Cindy, it will be fun.  Everyone look at the screen...

Here's Andrea Thomas in her everyday guise as a teacher:

(Mike Vosburg/Vince Colletta, Isis #3, Feb.-March 1976-77)

She is smart and pretty, Cindy, and a model teacher.  I completely agree.  And here she is in her Isis identity:

(Dick Giordano, Shazam #25, Sep.-Oct. 1976)

What's that?  How many times has she saved you, Cindy?  Amazing!  Yes, if you'd like, you can write an extra-credit essay about Isis and what she means to today's young women.  Here's Andrea Thomas's colleague Rick Mason:

(Mike Vosburg/Vince Colletta, Isis #2, Dec.-Jan. 1976-77)

Thank you, Cindy.  You're so right.  He is a dedicated teacher and his mustache is quite snappy.  Here's Dr. Barnes:

(Mike Nasser/Frank Giacoia, Isis #2 Dec.-Jan. 1976-77; Mike Vosburg/Vince Colletta, Isis #3, Feb.-March 1977)

Good question, Cindy.  We'll talk about that in just a moment.  Anyone besides Cindy have a question?  Anyone?  No?  No one has a question?  Okay, I hear some talking but no questions.  Let's hold it down and look at the screen.  I think we'll all recognize...

(Dick Giordano, Shazam #25, Sep.-Oct. 1976)

Yes, Cindy, that's you!  And no, Rennie Carol never appeared in The Mighty Isis comic.  The closest anyone came was the depiction of a character named Rennie Roberts (although I could have sworn her first name is lettered as Pennie) in the final issue.  That's also the one where the writer labels you "class president" of Larkspur High, Cindy.

Now, as to your question about why Dr. Barnes looks so different.  Compared to the main cast, the character wasn't on the show that often and some of the artists probably never saw even a single publicity photo of actor Albert Reed.

Actually, as you've noticed, none of the likenesses are exact.  They're more general than perfect caricatures.  I think Dick Giordano's take on the cast Shazam! #25 comes closest, but I have a suspicion this has something to do with licensing.  If you've read Marvel's Planet of the Apes adaptations, you'll notice at no time does George Tuska make Taylor look like Charlton Heston, nor does Alfredo Alcala give his Beneath the Planet of the Apes astronaut more than a passing resemblance to James Franciscus.  To do so would have involved other legal and financial arrangements and it just wasn't considered worth the time, effort or money.

Another good point, Cindy!  As you say, Marvel did occasionally use exact likenesses of the Star Wars actors in that title, and DC made a point of at least trying for perfect likenesses in their Star Trek titles.  Yes, even now at Dark Horse, artists draw Buffy as close to Sarah Michelle Gellar as they can.  These things depend on legal departments and the artist's hand, but sometimes licensing means "make 'em look consistent with all appearance in every medium."  Luke Skywalker looks just like Mark Hamill on every book cover, Captain Kirk is always either William Shatner or Chris Pine these days and so on and so forth.

Anyway, back to Isis.  My guess is we're looking at a similar deal here between DC and Filmation and as long as Isis had long dark hair, Rick Mason his mustache and Cindy Lee her pigtails, no one probably gave a rip.  As for Dr. Barnes, he could be anything or anyone depending on who drew him.

You're right again, Cindy.  I am just a speculating fool.  Still, that was a lot of fun, wasn't it, class?  Comparing these?  We enjoyed it, didn't we?

Class?

The Secrets of Isis Episode 21: "Now You See It..."

Rick Mason moonlights as some kind of super high-tech inventor and he's darned good at it.  So good, in fact, he's created a device that can actually control the weather over an entire state-wide area.  Of course something as powerful as a weather manipulating gadget could attract interest from all the wrong people-- and that's just what happens when someone frames Mason himself for stealing it.  Yes, it's the opening gambit of the exciting two-part Secrets of Isis series conclusion.

"Now You See It..." (October 23, 1976) takes The Secrets of Isis into overtly superheroic action, with an outlandish macguffin more appropriate for Wonder Woman or The Six Million Dollar Man.  A weather control device is completely ridiculous, but you know what?  This episode is a whole lot of truly silly Saturday morning fun, full of action featuring some engaging guest stars.

It starts like a low budget spy flick with the theft-- featuring an evil Rick Mason-- and then cuts to Ranji, a multi-talented young entertainer, practicing his music and magic act with Rennie Carol at an empty ampitheater.  The Feds come in, arrest Mr. Mason, which leads Rennie and Ranji to round up a little gang and do some sleuthing of their own.  That means we get to meet C.J., a cool young dude with martial arts skills and Feather, who appears to be some kind of reformed juvenile delinquent in a knit cap.  The four of them make quite a quartet, trouble-prone and energetic, almost as if Filmation decided to introduce some Hanna-Barbara into the show, a little Scooby Doo, complete with a happening Ford E150 customized van belonging to Ranji and featuring some appropriately mid-70s side-panel deco.

You have to like the conceit Mason is such a well-loved teacher even Sweat Hogs refugees like Feather are willing to put down their basketballs to help him, but Ms. Thomas has a point.  It's never a good idea to go outside the law.  It's a lesson she has to transform into Isis to teach the gang, and they're so determined (and hard-headed) it even requires the assistance of none other than Captain Marvel himself to get it across.  But not before the two villains get away with part of the weather control machine, nearly kill Ranji, C.J. and Feather with an out-of-control car (which is on fire to boot).  Isis calls in reinforcements in the form of her good friend Captain Marvel (who apparently spends part of each day hefting random boulders out in the desert).  Marvel swoops in and realizes, "I've got to lift that van!" and proceeds to do just that, saving the boys.  The final scene sounds an ominous note as the completely exonerated Mason warns of the damage even part of the device can do-- and not just locally, but statewide.  It's definitely an alarming situation and calls into question the wisdom of using scientific knowledge to tamper with and try to control the natural world rather than adapt to it.  Dark clouds and thunder add a Shakespearian atmosphere to the finale.

The legendary Evan C. Kim plays C.J.  You may remember Kim as Loo in the "Fistful of Yen" Bruce Lee parody from the 1977 classic Kentucky Fried Movie.  And if you don't, you're either very young or you've come to the wrong blog.  Kim was a staple of my childhood.  My brothers exposed me to Kentucky Fried Movie early on, forever warping my mind into something sick and wrong, but I also encountered Kim in a dramatic role in 1978's Vietnam War flick Go Tell the Spartans (starring Burt Lancaster); as the only caveperson able to speak modern English in Ringo Starr's under-valued (but still pretty lousy) Caveman; and then as a fiesty yet doomed cameraman in NBC's sci-fi allegory V.  His largest role to date was as Clint Eastwood's partner in the last of the Dirty Harry movies, The Dead Pool, which, oddly enough, is the only Kim theatrical release I haven't watched.

Feather, Kim's partner in crime-busting here, is played by Craig Wasson, who also appeared in Spartans.  They probably smoked a doob or two and laughed about Isis, but you get the feeling their association might have gone on for a bit longer if Filmation had its way.  This episode of Isis has spin-off written all over it, sort of how C.J. cracks the case of the Mason doppelganger by drawing all over a surveillance photo of random men taken by Rennie.  Wasson worked with Brian DePalma and fought Freddy Kreuger in the third Nightmare on Elm Street flick and does prolific audio book narration to this day.

Ranji, who shows a lot of charisma during his musical numbers and wears the flashiest costume-- and has magical powers to rival Isis's-- apparently dropped out of show biz following his appearance here.  I have no idea what happened to him.

I feel certain this episode was either Filmation's last-ditch effort to generate interest in the show and keep it on the air by establishing a dynamic new direction or else their attempt to set up a spin-off with Ranji, C.J., Feather and possibly (one would hope) Rennie Carol.  The emphasis on the rather large cast has the unintended effect of rendering poor Mason something of an after-thought, even with all the energy expended on his behalf.  And while we do get as much Isis as usual, Ms. Thomas ends up largely sidelined, which is always a mistake.  Joanna Cameron provides regally self-aware advice as Isis, but Thomas is the show's heart.

NOTES:  Who the heck is this Ranji guy anyway?  I mean, he gets a huge showcase here.  Was Filmation grooming him for Saturday morning super-stardom?  He's a multi-talented threat. Pleasant singing voice, winning smile, awesome turban, because an Indian American guy named Ranji is required to run around in one and a matching tunic as well.  Uncomfortable ethnic stereotyping aside-- remember Jonny Quest's equally magical be-turbaned pal Hadji-- Ranji has a lot of charisma and would have made a great team leader if Filmation had taken this concept to production.

Ronalda Douglas is no slouch herself.  She has a strong singing voice, even if it is a little quavery.  Each member of the team appears to have some sort of expertise.  Feather is a schemer with a questionable background (always helpful when battling crime), Ranji drives, does magic and sings, C.J. is the group's muscle and hippest dresser.  What does Rennie bring to the table?  She's an ace photographer, which makes her the group's surveillance expert.  They simply could not have cracked the case without her skills.

Gosh, how I wish Cindy Lee were part of this crime-busting team.  What might she have contributed?  Well, every team needs a factotum, right?  And who can argue with perpetual positivity and cheerfulness?  She would have given the gang a sunny outlook even when things turned grim, such as on this case when an entire state faces environmental disaster.

Amazingly, the actor who plays the fake Mason actually looks a lot like Brian Cutler after C.J. scribbles all over Rennie's photo of him.  But not as much as he does when Cutler is playing the same character in disguise.  I've always enjoyed scenes where an actor pulls off prosthetics to reveal a completely different actor.  Of course make up technology was nowhere near advanced enough in 1976 (or even today) to produce a Rick Mason clone that would stand up to even the slightest scrutiny.  Suspension of disbelief.  You will believe a woman can fly, after all, and a convincing Rick Mason disguise isn't as outrageous a concept as a weather control machine you can drive around in the trunk of your car.

First Ms. Thomas and her "circle guard" and now Mr. Mason and his weather control device.  Jesus, Larkspur High has a brilliant science faculty.  Albert Einstein himself would probably feel overwhelmed by the level of genius these two teachers display!  They seem to do little teaching.  We have seen Thomas in the classroom but either Larkspur is a city of perpetual sunlight or else the high school administration has completely lost control.  Call Dr. Barnes!

The guards at Operation Weathermaker (that's the name of Mason's project... or the facility where he works on it...) are a pretty slack bunch.  First they let a fake Mason slip by them, then fall for Ranji's voice throwing trick.  Yeah, that's another of Ranji's powers.  He's able to not only speak with a convincingly female voice, but also project it so that it sounds as though someone is calling for assistance from a distant parking lot.  Guard Gunderson (probably from Minnesota) falls for it.  What a dope!

Being Captain Marvel must be a lonely occupation.  Every time we see him on this show he's by himself in some wilderness area, either lifting trees or rocks.  Doesn't this guy ever relax and play skee-ball with his friends?  Does he have any friends besides Isis?  Second Captain Marvel John Davey reprises his guest spot here.  He sort of botches his "lift the van" line, but the director (Arthur H. Nadel) leaves it in.  Makes you wonder how bad the other takes were, or if there were any other takes.  Isis wasn't exactly a high-budgeted affair and in this episode finances were already strained with all the guest stars and process work.  Nadel probably figured Davey at least said all the words in the correct order so to hell with it.

The Secrets of Isis Episode 20: "Year of the Dragon"

Julie Chen wins a science award but when it threatens to expose her father's old school Chinese ways to the students and faculty of Larkspur High she begins acting out, leading to a couple of very nearly fatal accidents.  The first one happens because she's decided to flee a fellow student and unwisely chooses to hide from him in a wrecked car awaiting compaction in a junkyard.  The second comes when she retreats to a meadow for some quiet contemplation over her personal dilemma.  This time she falls into an abandoned well.

Being Julie Chen must be difficult!

On one hand, Julie's sick of everyone patronizing her over Chinese culture and callously assuming she's an expert on all things Asian, but on the other, she feels a deep conflict about her cultural identity.  As a result, she magnifies well-meaning but clueless comments into insults and tries to plot with Rennie Carol to trick her father into skipping the school assembly where she's due to receive her award.  And she constantly has to cheat death.

"Year of the Dragon" (aired October 16, 1976) explores Joy Luck Club territory about as well as you'd expect from a 1970s kids show about a magical super-heroic goddess.  I have to give Isis credit for trying to broach these issues, even if it's in a broad, obvious way.  And once again, all problems are resolved by one person trying to save another person's life.  While I'm sure most parents actually would sacrifice themselves for their children-- as in this case, nearly literally-- the idea that you have to go to such extremes to earn some simple respect probably isn't very realistic or even fair.

When you think about it, Julie's problems could probably have been better handled by that compassionate and clever-unto-herself teacher Andrea Thomas with a few frank discussions and genuine dialogue rather than through physical jeopardy.  But that's not why kids tuned into this show.  Isis has to do her thing twice in every show.  By California statute.  I've read the state codes.  It's in there.  Kind of in the middle, just after the stuff about building standards in an earthquake zone.

Still, let's not be too harsh with Isis.  The 1970s were a time when television-- especially children's television-- had just begun to explore sensitive issues.  With a new story possibilities and responsibility came a lot of inadvertent mixed messages along with the shoehorned-in heroics, the heavy-handed moralizing and forced happy endings.  At least in this case the Chens are genuinely likable-- especially Julie's long-suffering dad-- so I'm not going to begrudge them a jeopardy plot resolution to their issues, especially when it leads to the wonderful spectacle of Mr. Chen clinging to a levitating ladder while his daughter and Isis look on.

Victor Sen Yung, who plays Mr. Chen, had a career spanning decades, from the 1930s into the late 1970s before he tragically died of accidental asphyxiation.  As a young post-grad student at UCLA and USC, he started acting and played "Number Two Son" in several of the Charlie Chan films but was probably best known for his portrayal of Hop Sing on Bonanza.  If his IMDB bio is to be believed, around the time he took the role on Isis, he was actively seeking work outside the acting business.  His portrayal Mr. Chen is sincere and yearning, with a real touch of sadness, which makes me wonder if he was finally sick of typecasting and playing comedic relief and guest spots.

In a rather bizarre incident that took place in 1972, he was a passenger on a hijacked airliner and was wounded when the FBI stormed the plane.  That, along with his WWII service and long acting career mark him as an interesting guy in his own right.

Jeanne "Julie Chen" Joe has had a spottier acting career, with sporadic roles on TV and in films between Isis and just recently.  That's because she's been doing other things like teaching.  Plus, she has a number credits as a production coordinator and assistant to executive producers, working on films as diverse as Angel Heart, First Blood, Rambo: First Blood Part II.  Okay, okay, those last two aren't so diverse, but she did write a book called Ying-Ying: Pieces of a Childhood (San Francisco East/West Publishing Company, 1982) and its sequel, Ying-Ying 2:  Jasmine By the Bay (CreateSpace Independent Publishing Platform, 2012).  Her portrayal of Julie Chen is spirited and intense, angry yet sympathetic.

There are a few cringe-inducing moments that find some of our regulars inadvertantly expressing white privilege, but overall this particular Isis attempts to instill some racial and cultural sensitivity as part of its more overt theme of being proud of who you are and where you're from, so that's something in its favor.  Don't make assumptions about another person's life based on their appearance or family name.  You don't know what journey they're on, but it's probably different from yours.  Accept what they have to teach you about themselves without imposing your viewpoint on the lesson.

Notes:  There's a short stop-motion action sequence when Isis uses her powers to repair a wooden ladder that"s conveniently lying near the well where Julie's father is trapped.  Doubly convenient is how the rungs just happen to still be lying next to the ladder in the grass, and none have rotted over the years.

Finally, we get to see Rick Mason doing what he does best-- eating.  After hinting at some gourmand leanings in previous episodes, "Year of the Dragon" lets Mason loose on a sumptuous Chinese meal.  You know the Chens had to close early that night after Mason cleaned them out.  I can just picture him after the meal, kicking back on his boat, toothpick between his teeth, opening his fortune cookie and reading the note inside, "There are but two Isis episodes more, and they will consist of a two-parter centered around you, my friend!"

The Secrets of Isis Episode 17: "The Hitchhiker"

Curse your demonic charisma, Charlie!  Danger loving girls Hope and Joann cannot resist it, nor can they the illicit thrill of hitching rides.  Charlie and his buddy give the two friends the ride of a lifetime involving a high-speed police chase and a disaster narrowly avoided thanks to Isis's magical powers of molecular whammy-ma-doodling and time reversal.  This also leads to a sore time for Rick Mason as the horse he was riding bolts and injures his posterior region, but just when you think everyone's learned a lesson in responsible travel, Hope goes for another spin with Charlie instead of sensibly taking the city bus to the class picnic with Joann.  This time there's a speeding train involved.

The first few minutes of "The Hitchhiker" (September 18, 1976) are the most exciting of any Isis episode yet.  It starts like an Afterschool Special about rebellious teens, shows Charlie already in trouble with the law (he brazenly rips up a traffic ticket just moments after getting it) then goes into the chase sequence and still manages to put both Andrea Thomas and Rick Mason on horseback.  It features the most amazing special effect yet attempted by the Isis crew-- the goddess uses her magic to make Charlie's speeding car pass completely through a huge earth-moving machine (I initially identified it as a road grader, but I'm not so sure what it is other than it's huge and yellow like the best Tonka toy ever created) blocking the highway-- and their momentum sends the kids hurtling off a cliff.  Also their car.

A simple film-reversal brings them back but it's so intense and action-packed you're left wondering if you're watching The Secrets of Isis or The Streets of San Francisco.  Cereal bowls probably spilled across the US the morning this originally aired.

It's hard not to see the whole hitchhiking plot as a metaphor for sexual awakening or experimentation. Charlie, despite his unfortunate hair, is a happening young guy known as a "good driver," and cars have always been linked with sexuality (at least in urban legends and Beach Boys songs).  The initial encounter is like a make-out session at a party gone a bit too far, with Isis as the adult authority figure who steps in-- much like a timely chaperone-- to prevent complete disaster.  Joann gets the message, but Hope has tasted the wild life and wants more.  Later, she takes another ride with the dangerous Charlie but when he goes a bit too fast, Hope wants to back down.  Charlie tells her he thought she was going to be "fun," but things almost turn tragic when his junky car-- condom with a hole in it?-- stalls on the railroad tracks in front of the speeding train of impending teen pregnancy.  Driving home the point is the rift between the two girlfriends.  When one of a matched pair begins dating, the other person is often marginalized.  Even Rick Mason notices and comments on it, and he's dealing with a sore bum at the time.

This is yet another Isis with a high-powered guest star.  Barry Miller plays Charlie with gusto and provides such energy the episode tends to flatten when he's not around.  He later went on to co-star as the doomed Bobby C. in the John Travolta disco epic Saturday Night Fever, where his character dealt with teen pregnancy in a literal rather than metaphorical way.  And badly, at that.  He would also win a Tony for his portrayal of Arnold Epstein in the Broadway version of the Neil Simon play Biloxi Blues.  But I'm certain he has his Isis role in bold on his actor's resume and probably spotlights a few clips on his personal career highlight reel.

Here's where things get crazy, though-- and you might want to sit down for this next bit.  Miller also appeared twice on Isis's sibling show Shazam.  Incredibly, after that, Miller also managed a guest spot on The New Adventures of Wonder Woman.  All he needed was an Electra Woman and Dyna Girl role and he would have made history.  But I suppose winning a Tony is still pretty good.

Ronalda Douglas explores Cindy Lee territory in this episode.  With her Dorothy Hamill bob and chirpy voice, she's a similarly positive presence.  Strangely, though, while we learned nothing at all of Cindy Lee's home life, the producers give Douglas a lengthy and surprisingly funny exchange with Brian Cutler where it's revealed Rennie Carol has two car-crazy brothers and knows quite a bit about autos herself.  She provides the Cindy Lee voice of caution to Hope at one point, but the character comes across as every bit as cheerful as but a little less naive than Cindy.  I really liked that aspect of Joanna Pang's performance-- and with her eagerness to participate in academics, I imagine Cindy Lee as either an only child or else the oldest in a competitive yet sheltered middle class household.  Douglas's Rennie Carol more than likely shares a similar background, albeit as the youngest in her family.  I can't help wondering if we'll meet those brothers in a later episode.

Notes-- This is the second episode in a row we find Joanna Cameron and Brian Cutler on horseback, and the second in which we get a shot of Cutler riding hell-bent for leather.  Could the producers afford a stunt person, or did Cutler handle it all himself?  It's hard to tell in the long shot of Mason on his runaway ride.

The photography seems a bit murky at times, too.  Looks like they shot some of the scenes on a rare overcast day in sunny California.  This gives the early going a kind of low-rent moodiness and there's so much going on I couldn't help but think of some old MST3K flicks like Teenagers from Outer Space or the immortal Teenage Strangler.  The sound quality is also suspect, with the mix erring on the upper range, so the dialogue comes across as overly shrill at times.  Of course a lot of this is due to this material being nearly forty years old.  Who's going to spend the money to re-master old episodes of Isis and bring them up to current audio-visual standards?

That's not a rhetorical question.  I want to know who will volunteer to do humanity this service.

The Secrets of Isis Episode 16: "Seeing Eye Horse"

The title, "Seeing Eye Horse," (September 11, 1976) is no metaphor.  This episode delivers exactly what it promises.  Award-winning equestrian Noah Schuster has lost his sight, and when surgery does nothing to improve his situation, Andrea Thomas and Rick Mason arrange for the lad to receive a seeing eye horse.  It's a lovely gesture from some caring people, but it also leads to a lot of complications.  Noah's a bit horse-shy after having a riding accident (Isis saves him) and feeling a bit angry as well.  When he blunders into a water cooler and the broken glass reflects enough sun to start a smoldering fire, it's going to take both the horse and the Egyptian goddess to save the day-- unless Noah figures out a way to do that for himself first.

Confined to a single location and apparently taking place over the course of two eventful days (or else one really long one), this is one frantic Isis episode.  And you probably want to stay as far away from Noah as possible in the event his lousy luck is contagious.  Poor guy endures bad news from his doctor (veteran character actor James Griffith, who was once a musician with Spike Jones and His City Slickers, with an acting career spanning decades), a runaway horse incident, the kindness of Ms. Thomas, starting a fire, falling in a lake, being rescued by a horse, then tumbling into a small hollow and briefly losing the ability to walk.  That is one unfortunate kid.  Or, if you prefer optimism, a very fortunate kid when you consider he has friends like Thomas and Mr. Mason.  And let's not forget Rennie Carol, as Ronalda Douglas makes her Isis debut in this episode, replacing fan favorite (this fan anyway) Joanna Pang as Cindy Lee.

Pang's bubbly presence is certainly missed.  I couldn't help but feel a little sad not seeing her in the credits.  Her absence is even more apparent because Douglas only has a few brief scenes and maybe three or four lines total, which means there's a lack of student sidekick action.  Douglas does, however, boldly wear denim overalls in what seems to be a visual challenge to Pang's baby blues.  Shocking stuff for Isis!  My first impressions of Douglas involve her soft voice and gracefully soothing presence.  Pang might have played the same scenes in a more chipper, upbeat way, but Douglas is just so very gentle.  Remember-- Cindy Lee had her own storyline in the show's second episode before settling into the sidekick role.  Let's see if Rennie gets a similar spotlight, and if they develop her personality as distinct from Cindy's.

I only wish the show told us where Cindy went to establish a little more continuity.  Speaking of-- Thomas is still driving that yellow Firebird.  But this year is all about change, and not just switching out student assistants.  Isis gets a new wavy/curly goddess wig, one that isn't as successfully integrated into the character's look as the long, straight one she wore in the first season.  This one appears to be a sort of fall, with Joanna Cameron's real hair parted in the middle and combed back on the sides in an effort to disguise it.  Unfortunately, the wig matches neither the shade nor the texture of Cameron's natural hair.  Her Isis transformation gets a glamour shot cutaway and her flying take-off features a close-up this time, rather than re-using that overly familiar stock footage we're probably all tired of already.  There's a new flying shot as well, but it's a bit clumsy, with Isis viewed in profile.  The head-on view is much more effective.  Still, it's nice to see the producers spending a little more money on the effects, if only for variety's sake.

Brian Cutler must have enjoyed shooting this episode.  He gets to be a little heroic himself.  When Noah's horse-- spooked by a sonic boom from a passing jet-- bolts wildly down the lane, it's Mr. Mason who cowboys up and gallops in pursuit, doing that cool "rein whip" move you do when you're trying to head 'em off at the pass (I hate that cliche!).  Cameron also demonstrates her horseback skills as Thomas shows Noah how to operate Sunny, the seeing eye horse.

Overall, this is a solid sophomore season debut, with the leads providing their usual grounded performances and the guest stars doing their best despite a busy script.  Gregory Elliot as Noah has to flail around helplessly and interact with a horse but he acquits himself well enough.  Kathleen O'Malley as Mrs. Schuster, his mom, has an incredible filmography stretching all the way back to the 1920s, when she was a baby.  She played a nurse in the 1955 Henry Fonda/Jack Lemon/James Cagney classic Mister Roberts, acted in two episodes of Leave it to Beaver, appeared on The Munsters, Twilight Zone, Bonanaza, Emergency!, Mary Tyler Moore, Columbo and Baretta just to name a few.  She managed a western star bi-fecta by showing up in two Clint Eastwood flicks-- okay, Dirty Harry isn't a western-- and John Wayne's The Shootist.

What I don't understand is how they could let Noah just wander around when he storms off after rejecting Sunny.  No one bothers to look for him.  In fact, thanks to some wonky editing, it's almost as if everyone simply disappears from the farm at one point.

Notes-- Thomas drives around with Tut in the backseat of her car, on a bird perch.  She leaves him in there for hours, perhaps even overnight.  Even with the windows down, that's not the proper way to treat your
animal companion.

The scene where she demonstrates Sunny to Noah is pretty neat.  Cameron handles herself in the saddle like a regular Annie Oakley.  I'm guessing Annie Oakley rode horses as well as doing all those trick shots with Buffalo Bill's show, but I'm not old enough to have witnessed any of that first hand so I could be wrong.  Whatever the case may be, Cameron looks comfy and that's saying a lot for someone acting atop an animal, even a highly trained one.  At one point she has to let go of the reins and just sit there while Sunny does his (or her) stuff.  And I'm thinking she and Cutler relished the chance to do that kind of physical stuff.  Looks like fun.