A typical afternoon at Larkspur High...

There it is-- my old alma mater, Larkspur High!  Just as I remembered it.  And what about Ms. Thomas and Mr. Mason, the hardest working science teachers in the district, if not the entire state?  Do they still work there?

Hey, they do.  Look at them.  Busy as can be.  They're the reason Larkspur High leads the state in science scores and achievement awards.  But what about their favorite student, Cindy Lee?  What's she doing while these two teachers knock themselves out preparing lesson plans?

Cindy Lee loves bike races!

The Mighty Isis #8: When Cindy Met Rennie

Rennie Roberts, that is.  It happens in The Mighty Isis #8 (Dec.-Jan. 1977-78), the comic's final issue.  The story is called "Darkly Through the Mutant's Eyes," written by  Jack C. Harris, pencilled by Mike Vosburg and inked by Marvel stalwart Al Milgrom.  Rennie is an unusual name, so it's safe to assume this is supposed to be the TV character and they just made a little mistake with her surname.  But you know, that kind of carelessness isn't enough of an explanation for a hardcore comic book geek like me, so I've put way more thought into this than most would consider sane.

Here's what I've come up with.  The DC Comics version of Isis and her supporting cast are alternate universe versions of the characters familiar from the live-action show and they live on one of those numbered or lettered DC earths where things are subtly different.

How different?  Well, I'm not sure, but I doubt Andrea Thomas works at Larkspur High in the comic.  And Isis spends a lot more time fighting sorcerous foes than helping kids get over losing their beloved dogs or reconcile with their Chinese heritage.  There's also the Rick Mason-Thomas romantic subplot, which at one point is actually a love triangle with a Mason-smitten Cindy Lee; none of this occurs in the live action show.  So perhaps this Rennie Roberts person is the DC universe Rennie Carol.  Different parents, occupying roughly the same place in dimensional continuity.  After all, she looks nothing like Ronalda Douglas, who played Rennie-Prime on TV.

Another explanation is way back in 1977, no one particularly cared as much as I do now about consistency between the comic and the Filmation show.  Someone told Harris there was a new student assistant on the show named Rennie, he shrugged and said, "Far out, but I've got some Wonder Woman to write.  I can't be wasting my time learning all these characters' names."

Which is kind of a shame.  This panel offers the tantalizing possibility Cindy Lee actually was around for the second season of Isis, but the stories that aired were just the ones involving Rennie.  In some ghostly alternate vision, Cindy and Rennie were pals and good-natured academic rivals trading shifts as Ms. Thomas's student assistant.  The Mighty Isis might have benefited from a regular back-up feature where Cindy and Rennie team to solve minor mysteries such as what's in the hamburger patties in the Larkspur cafeteria, because it sure ain't any kind of beef.  You know, with Ranji, C.J. and Feather dropping in from time to time.

Then again, that's probably a stupid idea.  Nothing would have helped sales and by the time Rennie appeared, it was a moot point anyway.  An editor's note in the letters page tells us there just weren't enough fans to keep the book afloat financially, but what few there were could keep watching the Saturday morning TV show for their Isis fix.  With the show already out of production, that wouldn't be true for long.

You gotta believe!

Class! Class! Let's compare the live action Isis characters to their comic book counterparts...

Okay, class.  Good morning, glad to see you're all here.  We're going to do something a little different today.  That's right, Cindy, this will be on the test.  So pay attention all of you and take notes.  Let's take a look at the DC comics versions of our favorite characters from the Filmation live action TV series Isis-- also known as The Secrets of Isis-- and see how alike or different they are from the real thing.  Yes, Cindy, it will be fun.  Everyone look at the screen...

Here's Andrea Thomas in her everyday guise as a teacher:

(Mike Vosburg/Vince Colletta, Isis #3, Feb.-March 1976-77)

She is smart and pretty, Cindy, and a model teacher.  I completely agree.  And here she is in her Isis identity:

(Dick Giordano, Shazam #25, Sep.-Oct. 1976)

What's that?  How many times has she saved you, Cindy?  Amazing!  Yes, if you'd like, you can write an extra-credit essay about Isis and what she means to today's young women.  Here's Andrea Thomas's colleague Rick Mason:

(Mike Vosburg/Vince Colletta, Isis #2, Dec.-Jan. 1976-77)

Thank you, Cindy.  You're so right.  He is a dedicated teacher and his mustache is quite snappy.  Here's Dr. Barnes:

(Mike Nasser/Frank Giacoia, Isis #2 Dec.-Jan. 1976-77; Mike Vosburg/Vince Colletta, Isis #3, Feb.-March 1977)

Good question, Cindy.  We'll talk about that in just a moment.  Anyone besides Cindy have a question?  Anyone?  No?  No one has a question?  Okay, I hear some talking but no questions.  Let's hold it down and look at the screen.  I think we'll all recognize...

(Dick Giordano, Shazam #25, Sep.-Oct. 1976)

Yes, Cindy, that's you!  And no, Rennie Carol never appeared in The Mighty Isis comic.  The closest anyone came was the depiction of a character named Rennie Roberts (although I could have sworn her first name is lettered as Pennie) in the final issue.  That's also the one where the writer labels you "class president" of Larkspur High, Cindy.

Now, as to your question about why Dr. Barnes looks so different.  Compared to the main cast, the character wasn't on the show that often and some of the artists probably never saw even a single publicity photo of actor Albert Reed.

Actually, as you've noticed, none of the likenesses are exact.  They're more general than perfect caricatures.  I think Dick Giordano's take on the cast Shazam! #25 comes closest, but I have a suspicion this has something to do with licensing.  If you've read Marvel's Planet of the Apes adaptations, you'll notice at no time does George Tuska make Taylor look like Charlton Heston, nor does Alfredo Alcala give his Beneath the Planet of the Apes astronaut more than a passing resemblance to James Franciscus.  To do so would have involved other legal and financial arrangements and it just wasn't considered worth the time, effort or money.

Another good point, Cindy!  As you say, Marvel did occasionally use exact likenesses of the Star Wars actors in that title, and DC made a point of at least trying for perfect likenesses in their Star Trek titles.  Yes, even now at Dark Horse, artists draw Buffy as close to Sarah Michelle Gellar as they can.  These things depend on legal departments and the artist's hand, but sometimes licensing means "make 'em look consistent with all appearance in every medium."  Luke Skywalker looks just like Mark Hamill on every book cover, Captain Kirk is always either William Shatner or Chris Pine these days and so on and so forth.

Anyway, back to Isis.  My guess is we're looking at a similar deal here between DC and Filmation and as long as Isis had long dark hair, Rick Mason his mustache and Cindy Lee her pigtails, no one probably gave a rip.  As for Dr. Barnes, he could be anything or anyone depending on who drew him.

You're right again, Cindy.  I am just a speculating fool.  Still, that was a lot of fun, wasn't it, class?  Comparing these?  We enjoyed it, didn't we?

Class?

The Secrets of Isis Episode 19: "The Cheerleader"

Laurette Spang, who would go on to place "socialator" (original series Battlestar Galactica-speak for "sex worker") Cassiopeia, stars as the titular cheerleader in "The Cheerleader" (October 2, 1976) and she's up to no good.

What is it that makes Spang's character, the blandly-named Ann, so awful?  How about cheating on a test, for starters?  You know neither Cindy Lee nor Rennie Carol would dream of doing such a thing.  And not only does she cheat, she nearly murders Tut in order to do so.  Ann brings hell to Larkspur High when she finds out good grades aren't enough to win the coveted "first girl" spot on the cheerleading squad, a position currently held by her friend Gwen.  Furthering her villainy, Ann then frames Gwen as the cheater and spreads rumors about her academic dishonesty.  Ann does all this because, as Gwen wisely explains, she wants everything but isn't willing to work for it.  But work she does, and hard!  It takes effort to come up with these nefarious schemes and carry them out.

For thousands of years, throughout recorded history, society has viewed cheerleaders as emissaries of dark forces, of evil.  Ann epitomizes this outlook and if one hopes Isis might avoid trading in such benighted stereotypes-- well, the problem there is Spang is just too good at playing bad.  She's my favorite of the Larkspur High jerk students and whether she's luring Tut to his doom in order to trick Rennie Carol or buttering up cheer captain Tom (Danil Torppe, whose television career seems to have ended abruptly in 1998 after a role on Saved by the Bell: The New Class) for Gwen's position, Spang is a joy to watch as Ann.  Perhaps I've been programmed by the patriarchy, but there's just something deliciously alluring about a wicked cheerleader, especially one played to the hilt by Spang.  It's as if she materialized out of an early script draft of Brian DePalma's Stephen King adaptation Carrie.  Spang plays her turnaround sincerely and convincingly, too.  A darker Isis might have ended with a hint Ann is only faking.  After all, you could build a pretty good case for this kid being completely sociopathic.  But since we're allowed to dwell at length on how Ann faces up to the consequences, it comes across as an unambiguously happy ending.

Yeah, Spang is a delight, but "The Cheerleader" also gifts us with none other than Colleen Camp as Gwen.  While Camp didn't appear in Battlestar Galactica as a sex worker like Spang, she did play a Playboy playmate in Francis Ford Coppola's Apocalypse Now (1979), with extended scenes in the "Redux" version.  They probably should have been left out a second time because they're ham-handed in their comedic intent, involving her character and Frederick Forrest's high-strung Chief having bird-inspired sex inside a helicopter while none other than Lawrence Fishburne pounds on the window and demands his turn.

Camp's career continues to this day, with parts in the ever-popular Wayne's World, plus dreck like a couple of the Police Academy sequels (where she at least got to play Tackleberry's wife, which is something) and Alexander Payne's instant classic Election (as Tracy Flick's mom, a role that must have given her flashbacks to this episode of Isis).  Camp also made her movie debut in an uncredited role as "Julie, Lisa's Servant" in Battle for the Planet of the Apes.  Quite a spread there, huh?  No one can ever accuse The Secrets of Isis of depriving you of young actors with diverse resumes.

Enough movie trivia digressions.  Isis makes her requisite two appearances in this episode, including the standard student rescue at the end.  But it's the first that features one of the most effective visual effects so far on the show.  Ann uses a snack to draw Tut out of the science lab so she can send Rennie Carol on a wild crow chase.  Tut injures his wing and ends up in a field where what appears to be a German Shepherd dyed gray to resemble a wolf tries to eat him.  Isis shows up just in time to magically make the wolf or dog disappear, then scoops up Tut and makes the wolf-dog re-appear.  It's done with one of the oldest special effects there is-- stopping the camera, removing the dog, starting the camera again.  Only the Isis team mattes the goddess into the foreground almost seamlessly, allowing her to move and interact with Tut and masking the simple camera trick.  There's a little bit of fuzz on the Isis element because she's probably a video element and the background is chromakeyed, but not enough to detract from the magic.

The second Isis appearance involves Ann being chased by her own car.  The how and why is pretty stupid.  When Ann doesn't get her cherished first girl position despite all her efforts, she speeds off in her convertible.   Concerned she's going to injure herself, everyone gives chase.  For reasons known but to Ann she decides to jump out of her still-running car and run into a field.  The car follows and it's up to Isis to levitate Ann out of its path.  Director Hollingswood Morse (he helmed all the best episodes, by the way) frames this as a panoramic wide shot, giving the climax an epic look.  We just never learn what Ann's trying to accomplish with this stunt.

Notes:  Andrea Thomas is certainly no fool.  She's onto Ann almost from the beginning.  Unlike, say, this particular viewer, Ms. Thomas doesn't see Ann as bad, just misguided.  Even Gwen and Tom, the subjects of Ann's malice, are sympathetic.  No one thinks to consult Tut for his feelings.

This episode features a jaunty little synth score, perhaps influenced by the video games like Space Invaders and Pong that were becoming popular at the time.  It sounds kind of like someone playing a Casio keyboard with one finger, but it's super catchy and even now it's still stuck in my head.  Quite the ear worm.

Larkspur High's cheerleading team is more of a tumbling team than anything else.  There are only five members and their routine seems to consist solely of somersaulting off a springboard onto a mat while Tom shouts encouragement.  How is this supposed to spur the team onto victory?  I'm not going to take up the "cheerleading is a sport/not a sport" debate here, but it seems Larkspur High could benefit from hiring a dedicated cheer coach.  Or at least someone who can teach the kids some chants.  They can work their way up to pyramids and hand stands later.

Rennie Carol's position at the school comes into doubt again.  Student or teaching assistant?  Here she spends the first part of the episode carefully typing up test answers for Ms. Thomas.  We see her in another episode studying with a classmate, so she must be one trustworthy person.  I'm guessing she's in a higher level science class than the one Ann and Gwen take, especially when the answers to the test seem to be so basic.

And also scattershot.  What kind of test features Marie Curie as one answer, then CO2 as another?  If they're studying carbon dioxide, it stands to reason the rest of the test would be about drawing molecules or the periodic table.  But if they're studying Marie Curie, they should have a concentration on radiation.  Right?  I'm no science teacher (I'm barely an English teacher), but Ms. Thomas's test just seems random to me.

The Secrets of Isis Episode 18: "The Class Clown"

We never learn why his former high school gave Rudy the boot, but somehow he's landed at Larkspur High where he immediately begins a reign of terror.  In the course of a single day, he shakes up another student's soda, embarrasses the class brain with chewing gum and a roll of paper, nearly kills Rennie Carol by rigging up an inflatable life raft to expand in the chemistry lab (spilling volatile chemicals and unleashing a toxic cloud) and then almost costs himself his own life after sabotaging a school bus on field trip from which he's been punitively prohibited.  Doesn't stop him from chasing the outing halfway around the state.  Is he a would-be comedian, or is he an incipient psychopath stalking his classmates for revenge?  Whatever he is, Rudy is a flake!

They call him "The Class Clown" (aired September 25, 1976), but as played by Alvin Kupperman, despite a slight resemblance to comedian supreme Albert Brooks, Rudy comes across as a destructive, impulsive weirdo and the least pleasant troubled guest student showcased thus far on Isis.  It also doesn't help matters Kupperman was 30 or 31 when this episode aired and looks every bit his age.  His isn't a bad performance by any means; it's just tonally at odds with what we're supposed to be feeling here.  In my experience, class clowns are disruptive but amusing; Rudy is certainly the former but he's only the latter if you think random destructive acts are hilarious.  Well, they can be.  Just not in this episode.  Even Rudy doesn't do a lot of laughing afterwards.  He just kind of blames others for shunning him or whatever the hell his motivation is supposed to be.  Frankly, I stopped caring about the time he started setting up his potentially deadly raft trick.  Andrea Thomas does her best to convince Rudy he doesn't have to pull outrageously dangerous stunts to make friends, but it takes a near-death experience for the guy to find his redemption.

Which takes place off-screen, with Thomas merely telling Rennie and Rick Mason about it, as if the episode itself had grown so sick of Rudy's frantic antics it no longer wants any part of him.  Shot with some menacing low angles and with some more ominous music cues this episode could have been chilling.  Instead, it's just kind of bizarre and haphazard, like Rudy himself.

Joanna Cameron continues to play Andrea Thomas as the most understanding, compassionate teacher since Pete Dixon held forth on Room 222.  She's not as hilarious as her contemporary Gabe Kotter, but Thomas doles out life lessons and gentle yet tough guidance as appropriate.  I haven't spent a whole lot of time praising Cameron's performance as the titular "dual person," but in either incarnation the woman simply rocks.  When dope Rudy sneers, "No one will miss me" when told he can't go on the field trip, Thomas quickly adds, "I'll miss you."  If the guy had an conscience at all that would have been the moment he gave up his murderous ways (I seriously believe the Larkspur authorities need to check his house's crawlspace for bodies).  This episode also sees the welcome return of Albert Reed as Dr. Barnes.  He gives Rudy a quick campus tour and promises him a clean slate.  Dr. Barnes is always a welcome presence.

But the true class clown of Larkspur High is none other than Rick Mason, who cheerfully dons a chaffeur's cap for his role as busdriver.  Brian Cutler has a gift for putting across Mason's corny sense of humor as well as his man-of-action turn when he commandeer's poor Rennie Carol's car for the high speed climax.

"Class Clown" even features some ambitious process shots-- ambitious in Isis terms-- as they show Isis actually flying into the smoking chem lab from outside the school and Mason and Rudy walking up an incline magically conjured from smoke by Isis.  Both effect scenes show their seams, but it's impressive enough the producers decided to spend a little more money this season and not rely on the over-used stock footage from the first year.  The smoke stairway is pretty bizarre, a blurry diagonally-split screen effect that goes on a bit too long for its own good but provides the episode's best visual.  Other than Mason in his cap.

The Secrets of Isis Episode 17: "The Hitchhiker"

Curse your demonic charisma, Charlie!  Danger loving girls Hope and Joann cannot resist it, nor can they the illicit thrill of hitching rides.  Charlie and his buddy give the two friends the ride of a lifetime involving a high-speed police chase and a disaster narrowly avoided thanks to Isis's magical powers of molecular whammy-ma-doodling and time reversal.  This also leads to a sore time for Rick Mason as the horse he was riding bolts and injures his posterior region, but just when you think everyone's learned a lesson in responsible travel, Hope goes for another spin with Charlie instead of sensibly taking the city bus to the class picnic with Joann.  This time there's a speeding train involved.

The first few minutes of "The Hitchhiker" (September 18, 1976) are the most exciting of any Isis episode yet.  It starts like an Afterschool Special about rebellious teens, shows Charlie already in trouble with the law (he brazenly rips up a traffic ticket just moments after getting it) then goes into the chase sequence and still manages to put both Andrea Thomas and Rick Mason on horseback.  It features the most amazing special effect yet attempted by the Isis crew-- the goddess uses her magic to make Charlie's speeding car pass completely through a huge earth-moving machine (I initially identified it as a road grader, but I'm not so sure what it is other than it's huge and yellow like the best Tonka toy ever created) blocking the highway-- and their momentum sends the kids hurtling off a cliff.  Also their car.

A simple film-reversal brings them back but it's so intense and action-packed you're left wondering if you're watching The Secrets of Isis or The Streets of San Francisco.  Cereal bowls probably spilled across the US the morning this originally aired.

It's hard not to see the whole hitchhiking plot as a metaphor for sexual awakening or experimentation. Charlie, despite his unfortunate hair, is a happening young guy known as a "good driver," and cars have always been linked with sexuality (at least in urban legends and Beach Boys songs).  The initial encounter is like a make-out session at a party gone a bit too far, with Isis as the adult authority figure who steps in-- much like a timely chaperone-- to prevent complete disaster.  Joann gets the message, but Hope has tasted the wild life and wants more.  Later, she takes another ride with the dangerous Charlie but when he goes a bit too fast, Hope wants to back down.  Charlie tells her he thought she was going to be "fun," but things almost turn tragic when his junky car-- condom with a hole in it?-- stalls on the railroad tracks in front of the speeding train of impending teen pregnancy.  Driving home the point is the rift between the two girlfriends.  When one of a matched pair begins dating, the other person is often marginalized.  Even Rick Mason notices and comments on it, and he's dealing with a sore bum at the time.

This is yet another Isis with a high-powered guest star.  Barry Miller plays Charlie with gusto and provides such energy the episode tends to flatten when he's not around.  He later went on to co-star as the doomed Bobby C. in the John Travolta disco epic Saturday Night Fever, where his character dealt with teen pregnancy in a literal rather than metaphorical way.  And badly, at that.  He would also win a Tony for his portrayal of Arnold Epstein in the Broadway version of the Neil Simon play Biloxi Blues.  But I'm certain he has his Isis role in bold on his actor's resume and probably spotlights a few clips on his personal career highlight reel.

Here's where things get crazy, though-- and you might want to sit down for this next bit.  Miller also appeared twice on Isis's sibling show Shazam.  Incredibly, after that, Miller also managed a guest spot on The New Adventures of Wonder Woman.  All he needed was an Electra Woman and Dyna Girl role and he would have made history.  But I suppose winning a Tony is still pretty good.

Ronalda Douglas explores Cindy Lee territory in this episode.  With her Dorothy Hamill bob and chirpy voice, she's a similarly positive presence.  Strangely, though, while we learned nothing at all of Cindy Lee's home life, the producers give Douglas a lengthy and surprisingly funny exchange with Brian Cutler where it's revealed Rennie Carol has two car-crazy brothers and knows quite a bit about autos herself.  She provides the Cindy Lee voice of caution to Hope at one point, but the character comes across as every bit as cheerful as but a little less naive than Cindy.  I really liked that aspect of Joanna Pang's performance-- and with her eagerness to participate in academics, I imagine Cindy Lee as either an only child or else the oldest in a competitive yet sheltered middle class household.  Douglas's Rennie Carol more than likely shares a similar background, albeit as the youngest in her family.  I can't help wondering if we'll meet those brothers in a later episode.

Notes-- This is the second episode in a row we find Joanna Cameron and Brian Cutler on horseback, and the second in which we get a shot of Cutler riding hell-bent for leather.  Could the producers afford a stunt person, or did Cutler handle it all himself?  It's hard to tell in the long shot of Mason on his runaway ride.

The photography seems a bit murky at times, too.  Looks like they shot some of the scenes on a rare overcast day in sunny California.  This gives the early going a kind of low-rent moodiness and there's so much going on I couldn't help but think of some old MST3K flicks like Teenagers from Outer Space or the immortal Teenage Strangler.  The sound quality is also suspect, with the mix erring on the upper range, so the dialogue comes across as overly shrill at times.  Of course a lot of this is due to this material being nearly forty years old.  Who's going to spend the money to re-master old episodes of Isis and bring them up to current audio-visual standards?

That's not a rhetorical question.  I want to know who will volunteer to do humanity this service.

More Isis reviews and commentaries are on their way!

Sorry for the lack of Isis fun.  I'm not pulling a Cindy Lee and vanishing on you.  I'm just very busy with preparing tests for my own students.  So I suppose you could say I'm as fun as Rick Mason, as wise as Dr. Barnes and as good looking as Andrea Thomas.  Things ease off next week so there should be more time for watching the show and writing about it.  I'm also preparing a big post comparing the show's characters to their DC comic book counterparts.  It involves a lot of screen grabs and Photoshop magic so it's become quite a project unto itself.  Look for it in the near future.

I'll post when I can, Isis fans!

The Secrets of Isis, October is Spookey Month Edition featuring Episode 6: "Lucky"

Randy Martin is crazy about his canine pal Lucky.  And why not?  Lucky loves Randy right back in that special unconditional way dogs do.  The pair show up at Larkspur High one afternoon to play fetch and bring good luck to Larkspur High's baseball... or softball... team (the episode doesn't quite make it clear, and either way, just last week it was the height of football season so something screwy's going on) and join the high school kids on the beach for a pre-game party.  Some of the guys from rival Central High show up and there's some good-natured trash talk back and forth, but things take a tragic turn when one of the guys tosses a ball for Lucky to fetch and the dog goes into the raging Pacific Ocean.  Randy tries to save his dog, Isis rescues them both, but it's too late for Lucky.  The dog was just too old and its heart couldn't take the strain.

Angry at the world for robbing him of his best friend, Randy seeks solace at a local dam just before a water pressure test.  When he drops Lucky's collar-- a melancholy keepsake-- onto some jagged rocks down in the spillway, the unhappy boy tries to retrieve it, only to catch his ankle.  Trapped with only a minute or two before thousands of gallons of water comes rushing his way.  It's Isis in a race against the raging flood for Randy's life!

Hold up a second.  Before we review the episode let's address this whole "getting your foot caught" business.  Something like this happens in almost every story.  Since the show eschews most superhero violence (Isis tosses some tires and levitates a car; that's about as intense as it gets), there aren't a lot of bad guys running around with ropes and chains to bind their victims so Isis can come to the rescue.  And a lot of times, the jeopardy the characters find themselves in-- chased by car thieves, menaced by a diseased bear, or simply about to be washed away by a torrential dam release-- would be fairly easy to escape but for an injury of some kind.  The show specifically targets its characters' ankles almost to a fetishistic extent.  It just never tires of the ol' ankle-in-the-rock gag.  In this case, Randy just falls behind a large rock and starts screaming bloody moider.

It would be comic, but actor John Doran turns out to be preternaturally skilled at conveying pain and fear.  For a moment I was convinced some hidden creature had ripped his foot completely off.  Couple that with the recent loss of his dog and some all-too-believable angry crying scenes, and you've got one poor little guy having a crappy day.

"Lucky" is a strong episode, one that tackles the ultimate issue:  Death.  Nothing is so serious as death, and as a subject, death encompasses all others.  You can imagine quite a few young viewers knew the confusion and pain accompanying the loss of a beloved pet or even a family member.  Parents often struggle with how to tell their children about death and come up with a lot of confusing euphemisms, which generally just confuse the kids.  Most kid-vid offerings stay well away from this subject.

Not Isis.  Rather than sidestep it or cop out, Isis confronts death in a straightfoward, honest way.  When a tearful Randy asks Isis why Lucky had to die, she simply tells him, "It was time."

"Couldn't you save him?" Randy asks.

"No," she replies.

Isis explains no one has that power.  It's a hard-hitting moment, and leads to a short speech on the cycle of life compassionately delivered by Joanna Cameron.  It's her finest moment of the series so far, especially when you consider she delivers this monologue while wearing faux Egyptian jewelry and a skimpy minidress outfit to portray a superhero.

This scene also gives the show a chance to introduce a new Isis power-- the gem she wears on her forehead can project images into a person's mind.  It's nice to visualize the episode's lesson, and all it takes is a simple superimposition trick.  Isis ties Lucky's death to everyone's, but also makes the case that death is necessary so life can continue-- we are born, we grow, we grow old, we die and we return to the earth to nourish a new cycle of growth.  This is nature's way and no superhero, even one endowed with the powers of the earth, sky and water, can alter this simple fact.

Another well played scene features Cutler and Pang.  Thomas takes the call from the vet, her expression changes and everyone knows it's the worst possible news without her having to tell them.  At first I wanted to chalk it up to the script trying to soft-sell the moment-- and given the workings of network standards and practices, there may have been a deal by which Isis could use the word "death" only a certain number of times in the episode-- but fine performances all around make underplaying the scene the best choice.  I can't help but compare this to what's largely considered the worst of Star Trek, "Spock's Brain," where the pivotal moment goes for broke and devolves into high camp, or the now infamous "Walker says I have AIDS" moment from Walker, Texas Ranger.  There's a right way and a wrong way to break news and guess who gets it right.

Working from an especially strong script by Ann Udell, director Hollingsworth Morse (an old-school pro who helmed episodes of practically every TV show from the 1950s to the 1980s, the Arthur Digby Sellers of Isis) elicits some very effective performances from regulars and guest stars alike.  Most importantly from Doran, who carries the show and brings a believability to his role the bereaved dog owner.  He could easily have proven obnoxious during the scenes where he's crying and lashing out bitterly at the Central High guy who tossed the fatal ball, but instead he's pitch-perfect.  Roles dried up for the guy as they tend to do for kid actors, but not long after this job he portrayed Our Gang legend (and future Perry White impersonator) Jackie Cooper in the TV movie Rainbow, opposite Broadway's first Annie, a badly-miscast Andrea McArdle as Judy Garland, directed by none other than Cooper himself.  That's a pretty strong endorsement.

You know, when Cooper was a lad they used to make him cry on cue by threatening to kill his dog.  Just thought I'd throw that out there.

I really enjoy any scene with Rick Mason.  Cutler opens the episode with both Doran and Lucky, breaking W.C. Fields's famous maxim about working with children and dogs.  It's subtly expository as we learn about Randy's big brother (a Larkspur alumnus and well-known to Mason and Thomas) and the bond between boy and canine, but mostly it's just fun.  Plus, for an added bonus we find out Rick Mason had a dog of his own as a boy, but didn't have Randy's knack for training.  Cutler has a hilarious bit of business when Randy talks him into tossing the ball to Lucky and the teacher tries to get out of it, can't, then does it awkwardly.  The guy's trying, he really is and you get a sense his heart is in the right place, but he isn't lying-- Rick Mason probably just isn't that great with animals.  The show relies on Cutler to bring a light touch to various scenes and it's just so darn hard not to like the guy and his character.

And look at that awesome black and white checked sport coat.

But once again, the ever-reliable Pang as Cindy Lee has some of the funniest moments in what's generally a heavy-duty episode.  While Randy discusses the importance of chemistry to would-be veterinarians with Ms. Thomas, Cindy tries to lure Lucky for a race.  What is it with Cindy and racing?  Bikes, dogs, UFOs.  There's nothing that kid won't challenge to a contest of speed.  Lucky is too old and too obedient to give in, though, and Thomas informs Cindy he's a "one man dog."  Cindy then introduces the lucky charm/baseball story element and she and Randy end up sharing a soul shake over Larkspur's chances against Central High.  That's right--  Cindy Lee does a soul shake.

Later, during what passes for a crowd scene on the Isis budget, she spots some dudes walking up the beach.  "It's the guys from Central High!" she shouts with probably more enthusiasm than the moment warrants.  But that's Cindy Lee all over.  She's the show's incarnation of niceness.  She happily waves at these rivals and it turns out they're not there to cause trouble.  A lesser show would have featured these Central High guys as villains; on Isis, they're portrayed as genuinely nice guys who show up to have some good natured fun.  They even give Randy a new dog at the end of the episode-- although Central High spokesperson Glen takes some of the saccharine edge off by insisting Central will cream Larkspur anyway.

I may have mentioned this before, but Joanna Cameron was amazingly fit during her time as Isis.  Her miniskirt costume is practically chaste compared to what your modern-day women supers wear, but it displays her toned arms and legs to great effect.  I also want to point out that Joanna Pang as Cindy Lee looks simply amazing in her short culottes/mini-dress outfit on the beach.  It's easy to see why Glen and his Central High buddies "just happened" to be strolling along the beach that day.

Now that we're on the topic of death and dying, reading E.B. White's Charlotte's Web would be a good follow-up to any viewing of "Lucky."  And a viewing of 1982's Peabody-award winning The Electric Grandmother TV movie, too.  You know, the adaptation of Ray Bradbury's I Sing the Body Electric with Maureen Stapleton as the robotic grandmother who helps a family deal with loss, especially Agatha-Agamemnon.  Death and humanity's varied reactions to it are themes running through a lot of Bradbury's work.  From the Dust Returned deals with this explicitly, as does his 1972 fantasy novel The Halloween Tree.  We can relate this book back to Isis because in The Halloween Tree, Bradbury makes a special effort to show how Egyptian mythology influenced our Halloween revels.  We celebrate mortality in all things autumnal, dark and strange.  Or, in Isis's case, sunshine-infused spring days with Cindy Lee asking a dog for a foot race.

Safety note:  When Isis gingerly makes her way over the loose rocks in the spillway, she appears to have changed from her usual high-heeled boots into some sensible flats. Yet when she and Randy make it to safety, she's once again in those high heels!

Cindy Lee loves parties, boating alone in storms and scavenger hunts!

Now for some comic book history.  Cindy Lee fans were devastated when they bought Isis #2 (December-January, 1976-1977) and discovered she's barely in the lead story, "The Creature from Dimension X."   

"Say, what's the rumpus?" they asked of DC, using then-current vernacular.  "Give us the scoop, the low-down, the straight dope, and none of the high hat, ya palookas."  DC's official answer:  "Creative decision."

 Writer Steve Skeates conjures up in her place a clever lad named Roger who uses Rick Mason's high school science equipment to create a pocket black hole that turns out to be a doorway into another dimension.  Instead of earning himself a Nobel Prize for creating a limitless energy source from what's essentially an overgrown Erector set, Roger allows some kind of red monster to lurch out of it into our reality.  Isis chases the destructive bugger back home, but Roger's friend Gini-- who looks a lot like Jan Smithers as Bailey Quarters from the early episodes WKRP in Cincinnati, by the way-- makes a special visit to the junior genius' hospital room so she can scoff at his wild monster story.  Gini (who really should have been Cindy) vows to continue the experiment, this time with Mr. Mason supervising.

Nothing can possibly go wrong recreating the exact circumstances that unleashed a destructive creature on our world, right?  Within minutes Isis has to contend with four of these monsters.  John, Paul, George and It's Only Ringo.  She defeats them simply by activating the school's sprinkler system, then turning off the machine.  Gini admits her empiricism was a mistake, and Andrea Thomas tells her a scientist should always keep an open mind.  And yet Cindy Lee isn't involved in the action in any way.  She doesn't rush into a room to raise the alarm, doesn't bear witness to the wonders of science. She's not even menaced by the extra-dimensional creatures and doesn't get to help Isis deliver the moral.  Instead, in an almost-criminal act of story self-sabotage, Skeates confines Cindy to two measly panels, with no dialogue.  Name checked by Gini, some star-student-come-lately, then forgotten.

While they do give us a psweetly psychedelic Isis transformation, artists Mike Vosburg and Vince Colletta manage further the injury by whitewashing Dr. Barnes.  Skeates strips him of his advanced degree and calls him mister instead of doctor, too.  Why, it's almost as if no one working on this book had never seen a single episode of the show and merely relied on Shazam! #25 (Sept.-Oct. 1976) and Isis #1 (Oct.-Nov. 1976), and possible a couple of flippant remarks at an editorial meeting as their reference sources for all the characters.  But that would be artistically irresponsible, right?

Hundreds of fans read this story, then tore their comics in disappointment and despair (ready to wait 20-odd years until the invention of the Internet and comic book blogging to vent their rage more fully), the remnants fluttering to the shag carpet like so many colorful autumn leaves—but wait! On a tattered shred from somewhere in the back of the comic.  Could it be?  Yes!  It’s Cindy Lee!  And what kind of trouble has she gotten herself into this time?  Let's find out!

That torn panel is from "Lost and Found," the back-up story, which is much more Cindy-centric.  It begins with bad weather and the heroic Isis doing that thing she does so well: rescuing young people from danger.  In this case, shes saves two teens who went boating in the storm, only to capsize.  Isis lectures them, takes them home, changes back into science teacher Andrea Thomas and heads to a swingin’ party…

Where the main topic of conversation is none other than Cindy Lee herself.  She's not there.  It's almost a meta-commentary on the lead story.  Thomas is surprised and immediately asks about her, because she of all people Cindy “likes a party.”  School, her teachers, pyramids, danger, parties.  These are the things Cindy Lee loves so well.  

From what we now know of Cindy it's obvious would never miss a chance to hang out at school with her favorite teachers barring earthquake or death itself.  In her DVD interview, actor Joanna Pang confirms at least some of my more rational Cindy Lee theories-- she's the kind of girl who always volunteers to stay after school, has her permission slips signed first and is unfailingly positive and go-getting.  She's into anything and everything about school life, whether it's academics or just spending all day there soaking up the atmosphere and offering to help out wherever she can.  So it's pretty believable people would remark on her absence from a school event.

But what about everyone else?  Another unrecognizable Mr. Barnes, apparently drunk to the point of hallucination (although he seems rational enough) insists he organized a scavenger hunt, then cancelled it due to the bad weather.  But there's no sign of would-be scavenger hunters.  Truth, alcohol-induced daydream or is Mr. Barnes just making this all up so Ms. Thomas won't think he and Rick Mason are pathetically hanging out by themselves?  

Maybe Skeates didn't specify a lavish attendance of students and faculty, but the very least art team Mike Nasser and Frank Giacoia could have done was infer from the dialogue more than three people in the room so Barnes doesn't look like either the saddest clown in the circus or a complete madman.  We know the Filmation TV show was low-budget, but I'm pretty sure they had a few scenes with more than three people.  After all, they created a fairly convincing school picnic for the "Bigfoot" episode.  What was the budget DC allowed this comic for extras and supporting characters?  Did Skeates and company blow it all on the science experiments in the lead story and have to skimp here?

We could ask Rick Mason, but he refuses to speak for most of this story.

Mr. Barnes (he's a PhD on the TV show, by the way) must have convinced Cindy, at least, because the only explanation anyone can come up with for her absence is she's off trying to win the scavenger hunt.  And yet they still expected to call her up and tell her the event was off.  This is Cindy Lee in the era before cell phones.  You send her on an errand, don't expect to ring her at home and find her there.  If you even float the vaguest idea for a school activity, before you can say, "Nah, on second thought," she's organized the decorating and refreshments committees, nominated herself for vice-president of both, requisitioned petty cash from the school's general fund, bought five miles of colorful bunting and booked REO Speedwagon as the entertainment.

Of course you're not going to reach her, Mr. Barnes.  She's Cindy Lee and you sent her looking for item number three, "a shell from the beach of No-Man's Island," you fool!  Thank Isis you didn't think it would be funny to add "a golden apple from the Garden of the Hesperides" as item number two.

Perhaps in an editorial meeting with Denny O'Neil, Skeates learned it's not an Isis story unless Cindy Lee finds herself facing death.  No-Man's Island is on the same lake where those other kids nearly came to grief.  Worried that her star pupil is even now intrepidly sailing to her doom, Ms. Thomas dashes out into the rain and transforms.  Isis confirms her alter-ego's suspicions when she flies back over the storm-tossed lake only to find Cindy Lee clinging desperately to a tiny rock.  Cindy is thinking to herself going boating alone in a gale might not have been the wisest of decisions, even had she possessed the nautical skills of Popeye himself.  

In terms of Cindy Dilemmas, where do we rank this?  Somewhat worse than jumping a junkyard fence to spy on car thieves?   Not as rash as using Rick Mason's car to chase coin thieves?  On my patented Cindy Dilemma Scale, with one being the least dangerous and ten being the most, I give this an eight. 

Over the waterfall she goes, our little daredevil, but Isis uses her Egyptian goddess magic to conjure up a life-saving waterspout.  Anyone else would be traumatized, but all the resilient Cindy can think of is getting to that sparsely-attended party.  What school spirit!  What joie de vivre!  Is there extra credit involved, or perhaps a letter of recommendation to go in her records?

Once at the school and thoroughly dried-- although she's wearing the same outfit-- Cindy regales the party-goers (Rick Mason, Mr. Barnes and Andrea Thomas, again) with the hair-raising tale of her brush with death.  Andrea Thomas makes a veiled allusion to being Isis, Cindy responds in confusion, Thomas somehow intuits Cindy's boating mishap had something to do with her desperation at winning the scavenger hunt which I'm still not convinced hasn't taken place solely within the confines of Mr. Barnes's mind.

Shazam! #25: Cindy Lee Loves Danger!

"She's magical... She's mysterious... She's magnificent-- and she's more exciting than any other super heroine!  Part human, part goddess, all wonderment-- with the most unusual powers anyone ever possessed!  She uses them now in a desperate race to save her friend Cindy Lee from certain doom as Andrea Thomas becomes--  ISIS... AS IN CRISIS!"

Ah, Shazam! #25 (DC Comics, September-October 1976).  This is what feel-good comics are all about.  It's also a breakthrough moment enshrined forever in comic book history.  Why?

Because even though cover artist Kurt Schaffenberger seems to have little or no idea who she is, this book marks the sizzling debut of our favorite sidekick and teacher's pet from the CBS Saturday morning live action television show Isis (also know as The Secrets of Isis), Cindy Lee.  Oh yeah, and if the introduction didn't clue you in enough, this is the first comic book appearance of Cindy's co-star Isis, too.  She's okay, too. I guess. I mean, if you're interested in such things.  But we know the real draw is Cindy Lee.  

And what a splash she makes!  Editor Julie Schwartz must have known he had something special in Cindy, because he put his varsity team on this story.  It's written by Denny O'Neil, with art by none other than Dick Giordano himself.  I do miss Giordano.  His art in this story is just so smooth, so appealing.  Rik Estrada and Wally Wood do a bang-up job on The Mighty Isis #1, but after reading this, Giordano is forever my artist pick for these characters.  And I prefer O'Neil as writer.  After all, O'Neil and Giordano are the team-- along with some guy you may have heard of named Neal Adams-- that brought to life some of the most influential and memorable Batman stories of all time.

Here's how it starts:
 

CINDY LEE?!  OH NO!  The last thing you expect to see when the wrecking ball crashes into your old high school is your star pupil in mortal danger.  This is one of those moments where you can almost see O'Neil's script showing through the drawings.  He has ten pages, needs Isis in action as soon as possible, so he puts Cindy Lee in harm's way.  She's from the TV show, right?  Stick her inside the school as it comes tumbling down, explain it later.

As you can see, science teacher Andrea Thomas and her colleague Rick Mason are a little concerned because they know damn well Cindy's parents didn't sign the school's special permission slip with the indemnity clause regarding any and all Cindy-related fatalities, including her own.  So much for their raises for the next several years.  So much for any more field trips to Egypt.  So much for the computer lab.  So much for art supplies.

The football stadium will still get its new scoreboard and the team its new uniforms, however.  And they can't cut the head coach's pay.  In fact, they can't even fire the guy without buying out his contract to the tune of four or five language, visual arts and home ec faculty members.  Fortunately for the school system, Andrea Thomas has a secret power beyond that of any two or three thousand lawyers.  She's the "dual person" known as Isis.  A quick change and some rhyming magic... 

And then this muscle-headed guy shows up all, "Uh-- er-- Well, I was about to do that, but since you already did it for me..."  Nice try, Captain Marvel.  You zoom in a few long moments after too late and try to make Isis feel less special.  Well, he does exert his male authority figure privilege to get Cindy's explanation of why she thought it would be a good idea to hang out in a building during its demolition.  And here we go...

O'Neil quickly and brilliantly seizes on the little-known fact that the future valedictorian and resident pyramid enthusiast of Larkspur High School (class of 1978) is a sensation-seeker.  Dare you doubt me?  I have proof-- in "Fool's Dare," (September 13, 1975),  the second episode of Isis, Cindy enters a dangerous junkyard in answer to some hurtful words from a classmate and tangles with car thieves wearing pitted-out shirts.



Back here in the four-color world, our secret thrill-junkie was once again doing some sleuthing of her own and followed a couple of suspicious creeps right into danger's maw.  She's so intrepid she'll chase them round Good Hope, and round the Norway Maelstrom, and round perdition's flames before she'll give them up... if that's what it takes to bring them to justice.  Whatever it was they did.  Which we don't know yet.  We'll find out later, thanks to Cindy.

There's a flashback to Isis's origin at this point in the story, too.  Boring.  And, his work finished, the Big Red Cheese soars away feeling self-satisfied at having patronized Isis.  Back to The Simply Awesome Misadventures of Cindy Lee!

 Wow!  Check that out!  She actually puts moves on Rick Mason!  Cindy Lee, bold seeker of dangerous, age-inappropriate love.  Certainly can't blame her.  In life, if you want something, you have to go right for it.  It's good Cindy understands this, and of course, we all know Rick Mason is one swell fella.  At least he's not married.  Cindy is no Tracy Flick.  However, for her well being, I really think Cindy should go for someone more in her peer group.  A student.  Like photographer/budding cryptozoologist Lee Webster.  

What a guy, that Rick Mason.  He's right to quash Cindy's romantic notions.  While it's natural for a student-- especially one we now know harbors a hell-bent streak-- to confuse admiration for an authority figure with love, as a dedicated educator Rick Mason knows even giving Cindy the slightest--- WHAT THE HELL?  Loaning her his car?  What kind of responsible teacher does something like that?  I take it all back.  Rick Mason is a mixed-signal sending bastard.

And look how nonchalantly he does it.  It's the ol' over the shoulder "I'm godlike in my lack of concern whether you live or die" keys toss.  It's not even a decent throw because Cindy has to lunge into a semi-crouch to catch them.  The least Rick Mason could have done-- since even this much is wildly beyond the bounds of proper teacher-student interaction-- is place the keys in her hand.  Once the school officials get wind of this, he's out on his guitar-strumming ass faster than you can say, "Matthew Broderick as Mr. McAllister" anyway.  Show some class while you simultaneously destroy a girl's feelings and your career.  Instead, our ostensibly nice guy teacher puts on this smug, superior act as if to tell her, "You can't have me, but take my car for a spin, you baby."

Down in the dumps, sitting on a pile of rubble that visually symbolizes her fractured heart, Cindy soon finds another adrenaline-pumping adventure.  I'm so impressed with this characterization I'd buy a Cindy Lee monthly.  No superheroics.  Just Cindy Lee and her pals getting themselves into all kinds of crazy scrapes.  You know what this comic is starting to remind me of?  A mid-70s kiddie version of David Lynch's Blue Velvet.

Now there's a thought.  In fact, Cindy prefigures Kyle MacLachlan's Jeffrey Beaumont in many ways.  He finds an ear, becomes involved with an older woman and discovers an underworld of crime and perversion in his little town, Cindy Lee sees the aftermath of a crime, wants to become involved with an older man and finds a tame young-readers version of the Lynchian paradigm right there in whatever town it is she lives in.  And much like Jeffrey, Cindy's involvement nearly results in her death.

"When the green field comes off like a lid/Revealing what was much better hid," wrote W.H. Auden in his poem "The Two."  Some things you and I-- and Cindy Lee-- are just not meant to know.  But characters like Jeffrey Beaumont and Cindy are impelled to pull off that lid and reveal the sinister, sordid things happening all around us.  There are no gas-huffing Dennis Hoppers or lip-synching, make-up wearing Dean Stockwells in Cindy's world.  Just vaguely menacing thugs in leisure jackets  Luckily for Cindy her planet orbits a sun a bit brighter and friendlier than the one in Blue Velvet.

But Cindy and pals would easily update to modern, darker storytelling.  Lynch famously described his film as "The Hardy Boys Go to Hell."  Well, apparently O'Neil's take-- which I'm guessing he based largely on "Fool's Dare"-- on Cindy Lee is she's a 21st century Nancy Drew with a knack for getting herself into trouble of the same sort.  We could build on that and have her enthusiastically investigate crimes, her optimism and incorruptible innocence contrasted with the sick, perverse things she uncovers and reveals to the world.  Meth labs, porn rings, bizarre blackmail plots, public figures who are secret degenerates.  Narrow escapes without an Isis there to bail her out, forcing Cindy to rely on her own pluck and quick wits.

Or not.  Maybe she'll always need an Isis for advice and guidance.  Cindy is smart and spunky but she is, after all, a risk taker.  She's lucky to have a friend and guardian like Isis.  Solve a crime and win Rick Mason's heart?  Oh, Cindy...

As a special bonus, here's Captain Marvel beating up a bear.

Cindy Lee really digs pyramids!

It's the summer of that Bicentennial year, 1976, and high school student Cindy Lee is much like her classmates.  The other girls at Larkspur High adore America, their families and friends, Leif Garrett, the "Wings Over America" concert tour and Welcome Back, Kotter.  Cindy's friend Belinda is confused by her own day-dreamy fascination with Kristy McNichol ("She's just so... so... NEAT!"), but she never misses an episode of ABC's Family.  An outgoing, involved student and all-around nice person, Cindy shares her friends' love for all the mundane cultural clutter so common in this, the final year of the Gerald Ford presidency, the year of the first Ramones album, punk rock and malaise still months away.  But there's another not-so-little something that makes Cindy's youthful heart quicken.  Something that thrills her apart from all the pop stars and TV shows that otherwise occupy her friends and dominate as topic of lunch time conversation in the Larkspur cafeteria.

Something she is not shy about sharing with anyone and everyone within earshot.

Pyramids!  Specifically, Egyptian pyramids rather than the Aztec versions (although she approves of those in a diffused sort of way).  Cindy Lee is absolutely nuts about Egyptian pyramids.  She goes for them majorly.  The kid can't get enough.

It started in kindergarten after she read an article in National Geographic magazine about the building of the Great Pyramids of Giza.  She began dreaming of them, of the powers of the pharaohs who commissioned them, their inner passageways and burial chambers, the heavy limestone blocks making up their outer shells.  While she finds each charming, Cindy has her favorite.  She imagines most would prefer the largest of the pyramids, the one commissioned by the Pharaoh Khufu.  But Cindy, unpretentious herself, favors the Red Pyramid of Pharaoh Snefru.  Its smaller size and sleek acute angles appeal to her, this girl without ostentation, who keeps her hair in simple ponytails.

But just as Snefru and his builders had to struggle with geometry before achieving perfection, Cindy's faced her own resistance.  Not the difficulties of experimentation with new forms of architecture and construction techniques:  the concern and disapproval of authority figures and loved ones.  At one point in third grade, Cindy wrote so many reports about pyramids her teachers had to call a special meeting with her parents to find out if their daughter hadn't cracked from academic stress.  No, they discovered to their amazement, she was just a fan of pyramids.  Declaring it to be just a passing phase in need of a small push out the door-- although her mother expressed the hope Cindy might grow up to become an archaeologist-- the adults asked her occasionally to write about other topics.  Ever the dutiful scholar and daughter, Cindy reluctantly obeyed.  It made her a little sad, and her writing assignments more of a chore.  The well-intentioned adults had temporarily dampened the girl's enthusiasm for her studies and school was no longer quite so fun.  Her marks dipped, just a little.

Indomitably cheerful girl that she is, she could only contain her pro-pyramid exuberance for so long.  A few weeks later and her grades began to climb again.  As we can see in DC's The Mighty Isis #1 (October-November, 1976), as a teen, Cindy Lee allows it full flower and such is her enthusiasm for pyramids even the emergence of a dangerous magical freak calling himself Scarab from inside one can't dampen Cindy's spirits.

Pumped with adrenaline at having witnessed the magical attack in close proximity to an actual ancient pyramid that has somehow been stolen from its rightful place in the Egyptian desert in contravention of all international laws regarding the trafficking of valuable artifacts and architecture, Cindy runs to find her teacher, Andrea Thomas, the "dual person" also known as the goddess Isis, to share her excitement.

The dastardly Scarab attempts to conquer the United States and force its government to declare war on France and the United Kingdom to satisfy his lust for destruction, but the heroic Isis is having none of it.  Cindy Lee finds herself happily involved in the goddess' eventual triumph over evil by supplying her with informative books on magic and pyramid power, books Cindy herself has frequently checked out of the library as evidenced by the multiple stamps on the due date slip inside their front covers.  With Scarab dispatched by the very pyramid he arrived in, Isis returns to the school and resumes her civilian identity only to encounter a breathless Cindy Lee, who asks the deathless question, "You took the books to Isis, Andrea?"

Be not shocked by Cindy's casual familiarity with her elders!  She wouldn't dream of being cheeky or impertinent.  In the mid-1970s, teachers at Larkspur High used such relaxed relationships to build trust with their students, to "rap" with them and learn what "made them tick," to use the vernacular of youth.  Cindy, as Ms. Thomas's protege and favored pupil, certainly would warrant such privilege.

Throughout the story, Cindy functions as a kind of Greek chorus, popping up here and there to comment on the action and provide much-needed expository dialogue and such random questions for which the answers should be obvious to all.  This is a vital function for one so young to fulfill.  But don't think of Cindy Lee as merely a pyramid-minded teen with the uncanny ability to show up wherever her sideline commentary may be necessary.  No, that would be a grave mistake.  The Scarab has already suffered from such assumptions, though he may never know of it.  Because, as we learn from The Mighty Isis #6 (August-September, 1977), she's also an expert on affairs of the heart.

It may be strange to you to think of one so young and ostensibly inexperienced providing advice to Rick Mason, decades her senior, yet another teacher who permits Cindy to address him by his given name.  But the faculty and staff at Larkspur High, being somewhat naive in these things no matter their advanced years, have come to trust Cindy's superior insights and advice.  And if she gushes a bit more than is seemly about both Isis and pyramids-- the one black mark on her permanent record a reprimand for doing an impromptu dance move and loudly singing, "PYRAMID POWER-- YEAH, YEAH, YEAH!" coming out of the gym after P.E. class-- they're more than willing to put up with these quirks if it means smoothing the path to true love.

Pyramids and love advice.  And also The Banana Splits Adventure Hour show.  These are the things Cindy Lee adores.  Cubes and Greco-Roman architecture.  These are the things that fill her with disgust.  She once abruptly ended a date with Lee Webster when he made the mistake of praising the Parthenon.  Poor guy foolishly, yet understandably, thought it would impress her.

This is all we know of Cindy Lee, and some of it has been extrapolated from partial records.  Further information is difficult to glean.  But I have learned the following:  Cindy (portrayed winningly by the completely awesome Joanna Pang)  has her origins in the Filmation-produced Isis and/or The Secrets of Isis live-action Saturday morning TV show.  Filmation introduced in the series' premiere episode, "The Lights of Mystery Mountain," which aired in the fall of 1975.  A full year later, DC brought the character into their comic narrative via a crossover in Shazam, vol. 1 #25 (October, 1976), where she was menaced by falling building materials on both the comic's cover and interior story.  For some reason, artist Kurt Schaffenberger and the anonymous cover colorist have white-washed her into a generic strawberry blonde.

Jeez.  Right on the cover!  She makes the cover for her inaugural adventure and they botch it.  I'm guessing at the time DC considered her too insignificant to bother consulting the source material for a more accurate portrayal.  Fortunately, the later, more conscientious writers and artists of The Mighty Isis #1-- none other than legendary talents Denny O'Neil(!!), Ric Estrada and Wally Wood(!!!)-- made incredibly precise efforts to match their comic book version with Pang's video appearance and performance, thus giving DC a show-accurate Cindy subsequent creative teams were contractually obligated to match under pain of immediate dismissal and blacklisting from the industry for life.  I assume.  No, that's too harsh.  They probably wouldn't have been allowed the last jelly doughnut in the DC break room.  Sadly, later developments consigned Cindy, her world along with everyone she ever knew and loved to non-existence following the Crisis on Infinite Earths series... and she hasn't been heard of in comics since.

If you Cindy Lee fans out there would like to see her in the New 52 universe, perhaps you should send model pyramids to Dan Didio.  But leave my name out of it.  I like Cindy Lee a lot, but I ain't starting no revolution over this.  Plus I have no desire to see what horrors they'd force this wholesome minor character to endure in the name of appealing to today's audience of jaded hipsters and people who scorn pyramids.