Showing posts with label Barbara Gordon. Show all posts
Showing posts with label Barbara Gordon. Show all posts

Thursday, March 8, 2012

Cassandra Cain lives on DC's new website... for now

He who makes a beast of himself gets rid of the pain of being a Cassandra Cain fan.  -- Dr. Samuel Johncomicbookfanson

DC's new website is... well, I have no opinion about website designs and the like.  What care primitive I for such things?  But late last night, around 1 AM when I should have been sleeping, I did a quick search for Cassandra Cain news-- yes, in exactly the same way I sometimes do name searches for exes and old crushes and then cry myself to sleep-- and found an amusing tidbit (we Cass fans take what we can get) on the blog Every Day Is Like Wednesday.  Someone involved with the DC website design has used an image of Cassandra Cain to illustrate their page about Barbara Gordon.

Cass fans!  Get your fix!  Fast!  Before DC fixes this!

Specifically, it's the gorgeous cover to Batgirl #45.  Remember that one?  Cass becomes curious about Barbara's career, dresses up in her predecessor's old Batgirl suit and discovers to no one's surprise high heeled boots are impractical for crime-fighting.  She's also now subject to the male gaze and queasily uncomfortable comments from Robin about how hot he suddenly finds her.  Barbara is pretty happy about it; essentially, the philosophy she espouses once again to Cass is it's important to dress and act in ways boys find cute and if you achieve that, effectively battling crime is a plus.  In the end, Cass rejects being that kind of hero and goes back to basic black and even Barbara laments not having worn more sensible footwear.

James Jean's covers during that era are spectacular.  Vivid colors, bold imagery and symbolism.  This one is no exception.  While I have no complaints about Rick Leonardi and Jesse Delperdang's interior work (clean storytelling, well-rendered figures and polished linework always appeal), I really wish DC had tapped Jeans for at least one fill-in issue-- especially the any of the ones immediately preceding Leonardi's run, which are atrocious.

Anyway, enjoy the second life of Cassandra Cain on DC's website.  Before they correct it and she goes back to superperson purgatory!  Or not!  Hee hee!  Being a Cass fan is so much fun when you're sleep deprived and stressed out about changing jobs and moving to a new city while living abroad!

Monday, September 26, 2011

When Batgirl Said "Sweet Patootie"


Dylan Horrocks wrote some of my favorite Batgirl issues and some of my least favorite.  He often had some wonderful ideas, like Batman and Batgirl working out their father-daughter issues in the way that works best for them-- brutally beating up on each other.  These are people who believe in tough love in its most literal sense.  He also had some crappy ideas, like Barbara Gordon constantly enforcing gender stereotypes on Cassandra.  It helped a lot when he had a seasoned pro like Rick Leonardi to make solid storytelling choices; landing him on pencils was a big plus for the title.  If only some of the fill-in artists had been up to the task...

Having Cass shock her friends as she experiments with language learned from television in #51, "The City is a Garden," (2004) is a pretty clever notion.  Horrocks didn't do a whole lot to develop it in subsequent issues, and what little it appears in the comic could have been handled a whole lot better in the artwork.


The clumsy storyelling here really murders the gag.  The artist has to think in terms of acting-- read John K's blog entries about this in animated cartoons; it's almost the same thing-- and Cass's shocked, silly, scared expression, doesn't match up with Barbara's fairly mild remonstration.  It adds a forced quality to the joke.  It's oversold, and previous artists characterized her as fairly unemotional even when baldly lying face-to-face with Batman.

So this response rings false.  After all, it's not as if she's being screamed at, which would be a huge mistake on Barbara's part anyway.  Conversation with someone like Cass would be like running with scissors-- you might get away with taking chances 9 times out of 10, but that last time will spill some blood.  Why not have Cass respond with a serious, determined look on her face:  "That's what they said on TV, how could it be wrong?"  Or a mere inattentive shrug, as if to say she doesn't really care that much, talking is such a useless burden anyway.  Which would leave Barbara exasperated and at a loss, thinking over more strategies to get through to this girl.  After all, how do you deal with someone like Cass, explaining things that would be self-evident to someone more conventional in comprehension and response?

Also, I find Barbara's insistence that no one on TV talks like normal people pretty ironic coming from a character in a superhero comic.  Horrocks deserves extra points for that, at least.


The second instance is more successful.  Instead of showing Cass's reaction, we only get Bruce Wayne's.  And he's flabbergasted.  Why does it work this time?  Because it's easy to imagine Cass, experimenting with language, not realizing the impact of word choice.  If this comic really had the strength of its convictions, she might even have said, "I think he wants to fuck me."  To that end, we really don't need to see her full face because the dialogue is enough to convey her naivete.  Batman's reaction is a little over the top-- I think it's much more likely he'd just grunt or narrow his eyes and make a mental note to have Barbara instruct Cass later-- but at least it's appropriate.

I only hope that's apple juice in that glass.  Isn't Cass only about 18 or 19 at the most in this issue?

Well, Cass-the-language-shocker is right on.  As a once-and-future ESL teacher, I often noted the difficulty English learners have with nuance.  A friend of mine-- whose English is actually pretty good-- once responded to a compliment I paid her by blurting, "It's a LIE!"  She meant it as a humble deflection of my flattery (which I meant sincerely), but it came out much stronger than she intended, without modulation.  We both ended up laughing about it.  Another time I was dating a girl with a somewhat lower fluency.  One night, we had to walk in a driving rain to a convenience store to bring back snacks for her friend.  The entire length of that walk, my semi-girlfriend griped, "Fuck the selfish bitch!  Fuck the selfish bitch!"

And that's the kind of thing I can see Cass doing without her even realizing it.  I wish writers had done a bit more thinking about this.  They really missed a chance at enriching her character, adding some comedic flourishes to her personality.  But hey, DC, it's not too late.  Fabian Nicieza handled her dialogue pretty well in two issues of Red Robin in which he got to use Cass, before the reboot.  It still works even with the more language-experienced Black Bat.  Or inexperienced, if she's going to be 5 years younger or whatever the heck's going on over there right now.

Besides picking up on the usages of friends, where else would an illiterate increase her vocabulary besides movies and TV?  Imagine if Cass gets into Batman's Complete Laugh-In DVD set.  We might get some hilarious scenes where she tells villains to "Sock it to me," or stuns Batgirl-Barbara by demanding she "Bet [your] sweet bippy."  Or catching a little TV Land and telling Damian Wayne to "Kiss mah grits!" or "Sit on it!"  What if she caught an HBO comedy special and started working a little blue?

One second thought...

Wednesday, June 8, 2011

Batgirl Unbound: To make some happy, one must make others unhappy...

What a shock to learn Barbara Gordon will be dropping her Oracle identity and returning as Batgirl. You'd think she would have outgrown that costumed identity by now, but apparently she hasn't. I don't have to tell you why some comic fans are greeting this news with a somewhat less than positive response. One of my favorite bloggers, Innerbrat, will tell you point-by-smartly reasoned point. This is not a fan I'd care to alienate; too intelligent, too passionate! She's not the only one. Another blogger responds to the news at Lubbock Online. This fan deconstructs an ostensibly happy image produced by another fan of Barbara Gordon strutting away in her old school Batgirl costume, her Oracle wheelchair abandoned behind her. Andy Khouri also explains a lot of these feelings it at Comics Alliance. Other fans are concerned that current Batgirl Stephanie Brown is in big trouble.

My understanding is DC's trying to provide new readers a "jumping on point," and that strategy involves more classic versions of their characters. No more multiple Batmen-- Bruce Wayne will be wearing the pointy eared mask and scalloped cape. The iconic characters, hence the traditional Batgirl. I'm not convinced. It's kind of difficult to discuss these "iconic" characters and put them into perspective because we're comic fans. We know their narratives intimately; it's almost as if they're real to us, friends or even family. Or-- if Google image searches for "Batgirl" are to be believed, even lovers.

Sorry. That made even me shudder. Do NOT do a Google image search for Batgirl. I've written quite a bit about Cassandra Cain and you really do not want to know what Google keywords bring more traffic to those posts than any others.

To the public at large, however, Batgirl is probably less Barbara Gordon than that chick in the rubber costume from the 60s or 70s or whenever or that other chick who was in that one Aerosmith video where she and Liv Tyler got kinda semi-lesbianish and whatever happened to her anyway?

Go to a shopping center and ask a random selection of passersby if they know Batgirl's real name. Before you're arrested, you're bound to get some interesting replies, most of which will include the words "what," "the hell" and "are you talking about?" Commissioner Gordon's daughter? Paralyzed? You lying jerk! Gary Oldman didn't even have a daughter in that movie I saw!

What will those people care? While putting Barbara Gordon back in the Batgirl suit is probably exciting for one segment of already-committed comic fans-- and obviously is for Gail Simone, who will be writing this series-- I'm not convinced any of the new readers DC hopes to appeal to with this reboo-- sorry-- "relaunching" have any particular allegiance to the traditional comic book version: "I would've bought that new Batgirl series thingy, but I didn't recognize her without the mask, so I gave it a miss."

And meanwhile, a lot of loyal readers who have already been reading all about Barbara Gordon and loving her are now royally upset. Plus another character is getting the Heisman treatment. Hey, maybe this time they won't kill her off. You've got that going for you... at least... Pissing off Barbara-as-Oracle fans-- for whom she has an intensely symbolic importance-- and Stephanie-Brown-as-Batgirl crowd-- those who made their outrage known during the Robin Memorial Case Conflict-- doesn't seem like a smart move. Unless, of course, the angry go ahead and buy this book anyway because they're just that hardcore about reading comics. Especially comics written by Gail Simone.

That's this story's ultimate twist. Simone is one of the most popular writers for the fans most disgruntled by this abrupt change, plus she's as solid as they come at DC. I'm not a big fan of hers-- I've read more message board posts by her than comics-- but I did enjoy Simone's version of Gen13. While somewhat rambling, it was still entertaining, witty and full of well-written characterization. I especially appreciated Simone's take on Sarah Rainmaker, the most misused, ill-served character from the original series. Simone dumped some of the more strident elements (products of the MTV's Real World/frat boy aesthetic of the first series) and gave Rainmaker a bruised toughness that was touching and effective. But the character Simone is most associated with is Barbara Gordon, of whom she appears to be an unabashed fan. As a writer she comes across giddy about being on this book.

Wow! Shades of the whole "Cassandra Cain turns evil" controversy all over again, minus the shabby scripting. We all have pleasant memories of those fabled days, similar to the family reunion where that estranged ne'er-do-well cousin Cornelius Vandershot-- he who dropped out of Harvard, Yale and Princeton and ended up attending a state university and eventually living on a collective farm in British Columbia before becoming a lawyer specializing in personal injury suits-- attended with his harlot of a wife-- she of the untamed eyebrows and unshaven pits; she claims to be an author of some repute but I've read the titles of some of her "works," nothing but trash-- a-and so drunk on spirits he collapsed at the dinner table, giving Aunt Lydia such intense vapors she took to her bedchambers and hasn't been seen since, communicating her needs through a perpetually-locked double door by means of a silver bell.

Well, you can't make everyone happy all the time. Good lord, the DC writers, artists and editors have learned that lesson time and time again over the past 10 years or so. As far as I know, we still don't know what's going to happen to Cassandra Cain! It's going to be a long, hot summer!