I dropped some mega-bucks on DC's Silver Age Teen Titans Archives volumes 1 and 2, Showcase Presents Ghosts and Dark Horse's Star Wars Omnibus: A Long Time Ago... volume 4. These four massive books are on their way to me as I type this, through wind and rain. Yeah, it's a dark day here in Japan with changeable weather threatening to wash out any weekend activities people may have planned now that the temperatures are easing off from the sauna range they stayed in all summer long. Of course, with dengue fever closing Yoyogi Park in Tokyo, it's probably just as well. Yet within my heart is a bright, warm light and its source is anticipation of some classic comic book reading material.
The Silver Age Teen Titans Archives books particularly delight me, since this is one of those series I've fallen madly in love with. I just cannot seem to get enough of Bob Haney's socially aware writing or Nick Cardy's art. Most especially the latter. I've bought this material both in digital form and in Showcase format. The digitals, on Comixology, never seem to advance past the five or so comics available in Silver Age Titans Archives volume 1. The relatively inexpensive Showcase Titans books seem to be going out of print now. I have copies of both volumes stored back in the US, I only have one here in Japan. No luck getting the other one for a reasonable price. So my unreasonable solution was to complete my Haney-Cardy-Neal Adams-and-others Teen Titans collection by paying even more for hardcover full-color stories I already own in multiples.
Teen Titans is no mere comic book series. It is a way of life.
And since I was on a classic DC kick, what better choice to complement the superheroics than yet another Showcase Presents book featuring a horror anthology? The artist line-up in DC's old horror books reads like a list of my favorites: Cardy, Alfredo Alcala, Frank Redondo, Nestor Redondo, Sam Glanzman, Ramona Fradon, Jerry Grandenetti, Wally Wood, George Tuska, Gerry Talaoc and so many more. And with Halloween coming up, I need some fun and spooky reading material.
Finally, my addiction to Al Williamson inspired my purchase of the Dark Horse Star Wars Omnibus: A Long Time Ago... book. I have the first three, which means I have Williamson's The Empire Strikes Back adaptation. It also means I need his Return of the Jedi work. And I certainly am not going to complain about having to look at stories by Carmine Infantino, Walter Simonson and Ron Frenz with inks by Tom Palmer. This book also contains Star Wars #74, "The Iskalon Effect" (August 1983), with art by Frenz and Palmer. It's one of the few non-Al Williamson Star Wars comics I bought during Marvel's original run of books.