The Secrets of Isis Episode 18: "The Class Clown"

We never learn why his former high school gave Rudy the boot, but somehow he's landed at Larkspur High where he immediately begins a reign of terror.  In the course of a single day, he shakes up another student's soda, embarrasses the class brain with chewing gum and a roll of paper, nearly kills Rennie Carol by rigging up an inflatable life raft to expand in the chemistry lab (spilling volatile chemicals and unleashing a toxic cloud) and then almost costs himself his own life after sabotaging a school bus on field trip from which he's been punitively prohibited.  Doesn't stop him from chasing the outing halfway around the state.  Is he a would-be comedian, or is he an incipient psychopath stalking his classmates for revenge?  Whatever he is, Rudy is a flake!

They call him "The Class Clown" (aired September 25, 1976), but as played by Alvin Kupperman, despite a slight resemblance to comedian supreme Albert Brooks, Rudy comes across as a destructive, impulsive weirdo and the least pleasant troubled guest student showcased thus far on Isis.  It also doesn't help matters Kupperman was 30 or 31 when this episode aired and looks every bit his age.  His isn't a bad performance by any means; it's just tonally at odds with what we're supposed to be feeling here.  In my experience, class clowns are disruptive but amusing; Rudy is certainly the former but he's only the latter if you think random destructive acts are hilarious.  Well, they can be.  Just not in this episode.  Even Rudy doesn't do a lot of laughing afterwards.  He just kind of blames others for shunning him or whatever the hell his motivation is supposed to be.  Frankly, I stopped caring about the time he started setting up his potentially deadly raft trick.  Andrea Thomas does her best to convince Rudy he doesn't have to pull outrageously dangerous stunts to make friends, but it takes a near-death experience for the guy to find his redemption.

Which takes place off-screen, with Thomas merely telling Rennie and Rick Mason about it, as if the episode itself had grown so sick of Rudy's frantic antics it no longer wants any part of him.  Shot with some menacing low angles and with some more ominous music cues this episode could have been chilling.  Instead, it's just kind of bizarre and haphazard, like Rudy himself.

Joanna Cameron continues to play Andrea Thomas as the most understanding, compassionate teacher since Pete Dixon held forth on Room 222.  She's not as hilarious as her contemporary Gabe Kotter, but Thomas doles out life lessons and gentle yet tough guidance as appropriate.  I haven't spent a whole lot of time praising Cameron's performance as the titular "dual person," but in either incarnation the woman simply rocks.  When dope Rudy sneers, "No one will miss me" when told he can't go on the field trip, Thomas quickly adds, "I'll miss you."  If the guy had an conscience at all that would have been the moment he gave up his murderous ways (I seriously believe the Larkspur authorities need to check his house's crawlspace for bodies).  This episode also sees the welcome return of Albert Reed as Dr. Barnes.  He gives Rudy a quick campus tour and promises him a clean slate.  Dr. Barnes is always a welcome presence.

But the true class clown of Larkspur High is none other than Rick Mason, who cheerfully dons a chaffeur's cap for his role as busdriver.  Brian Cutler has a gift for putting across Mason's corny sense of humor as well as his man-of-action turn when he commandeer's poor Rennie Carol's car for the high speed climax.

"Class Clown" even features some ambitious process shots-- ambitious in Isis terms-- as they show Isis actually flying into the smoking chem lab from outside the school and Mason and Rudy walking up an incline magically conjured from smoke by Isis.  Both effect scenes show their seams, but it's impressive enough the producers decided to spend a little more money this season and not rely on the over-used stock footage from the first year.  The smoke stairway is pretty bizarre, a blurry diagonally-split screen effect that goes on a bit too long for its own good but provides the episode's best visual.  Other than Mason in his cap.

Sorry I didn't get to those Isis posts!

The week before winter vacation proved busier than I anticipated, with longer days.  Circumstances didn't leave much time for watching The Secrets of Isis, much less blogging about it.  I'm on vacation now so once again let me offer you a hollow promise of fun and frivolity to come.  But it will have to wait.  I'm about to spend a few days in Tokyo.  I'll do some comic book buying while I'm there, but most of what I find will be posted on my new blog about being an American comic book fan in Japan.  That's where I plan to talk about the latest books and news, leaving this blog for the good old stuff we all love so much.  Jack Kirby, Alex Toth, Al Williamson, Dani Moonstar, classic Marvel, Dell and EC and that sort of thing.

Happy Holidays, True Believers!

The Secrets of Isis Episode 17: "The Hitchhiker"

Curse your demonic charisma, Charlie!  Danger loving girls Hope and Joann cannot resist it, nor can they the illicit thrill of hitching rides.  Charlie and his buddy give the two friends the ride of a lifetime involving a high-speed police chase and a disaster narrowly avoided thanks to Isis's magical powers of molecular whammy-ma-doodling and time reversal.  This also leads to a sore time for Rick Mason as the horse he was riding bolts and injures his posterior region, but just when you think everyone's learned a lesson in responsible travel, Hope goes for another spin with Charlie instead of sensibly taking the city bus to the class picnic with Joann.  This time there's a speeding train involved.

The first few minutes of "The Hitchhiker" (September 18, 1976) are the most exciting of any Isis episode yet.  It starts like an Afterschool Special about rebellious teens, shows Charlie already in trouble with the law (he brazenly rips up a traffic ticket just moments after getting it) then goes into the chase sequence and still manages to put both Andrea Thomas and Rick Mason on horseback.  It features the most amazing special effect yet attempted by the Isis crew-- the goddess uses her magic to make Charlie's speeding car pass completely through a huge earth-moving machine (I initially identified it as a road grader, but I'm not so sure what it is other than it's huge and yellow like the best Tonka toy ever created) blocking the highway-- and their momentum sends the kids hurtling off a cliff.  Also their car.

A simple film-reversal brings them back but it's so intense and action-packed you're left wondering if you're watching The Secrets of Isis or The Streets of San Francisco.  Cereal bowls probably spilled across the US the morning this originally aired.

It's hard not to see the whole hitchhiking plot as a metaphor for sexual awakening or experimentation. Charlie, despite his unfortunate hair, is a happening young guy known as a "good driver," and cars have always been linked with sexuality (at least in urban legends and Beach Boys songs).  The initial encounter is like a make-out session at a party gone a bit too far, with Isis as the adult authority figure who steps in-- much like a timely chaperone-- to prevent complete disaster.  Joann gets the message, but Hope has tasted the wild life and wants more.  Later, she takes another ride with the dangerous Charlie but when he goes a bit too fast, Hope wants to back down.  Charlie tells her he thought she was going to be "fun," but things almost turn tragic when his junky car-- condom with a hole in it?-- stalls on the railroad tracks in front of the speeding train of impending teen pregnancy.  Driving home the point is the rift between the two girlfriends.  When one of a matched pair begins dating, the other person is often marginalized.  Even Rick Mason notices and comments on it, and he's dealing with a sore bum at the time.

This is yet another Isis with a high-powered guest star.  Barry Miller plays Charlie with gusto and provides such energy the episode tends to flatten when he's not around.  He later went on to co-star as the doomed Bobby C. in the John Travolta disco epic Saturday Night Fever, where his character dealt with teen pregnancy in a literal rather than metaphorical way.  And badly, at that.  He would also win a Tony for his portrayal of Arnold Epstein in the Broadway version of the Neil Simon play Biloxi Blues.  But I'm certain he has his Isis role in bold on his actor's resume and probably spotlights a few clips on his personal career highlight reel.

Here's where things get crazy, though-- and you might want to sit down for this next bit.  Miller also appeared twice on Isis's sibling show Shazam.  Incredibly, after that, Miller also managed a guest spot on The New Adventures of Wonder Woman.  All he needed was an Electra Woman and Dyna Girl role and he would have made history.  But I suppose winning a Tony is still pretty good.

Ronalda Douglas explores Cindy Lee territory in this episode.  With her Dorothy Hamill bob and chirpy voice, she's a similarly positive presence.  Strangely, though, while we learned nothing at all of Cindy Lee's home life, the producers give Douglas a lengthy and surprisingly funny exchange with Brian Cutler where it's revealed Rennie Carol has two car-crazy brothers and knows quite a bit about autos herself.  She provides the Cindy Lee voice of caution to Hope at one point, but the character comes across as every bit as cheerful as but a little less naive than Cindy.  I really liked that aspect of Joanna Pang's performance-- and with her eagerness to participate in academics, I imagine Cindy Lee as either an only child or else the oldest in a competitive yet sheltered middle class household.  Douglas's Rennie Carol more than likely shares a similar background, albeit as the youngest in her family.  I can't help wondering if we'll meet those brothers in a later episode.

Notes-- This is the second episode in a row we find Joanna Cameron and Brian Cutler on horseback, and the second in which we get a shot of Cutler riding hell-bent for leather.  Could the producers afford a stunt person, or did Cutler handle it all himself?  It's hard to tell in the long shot of Mason on his runaway ride.

The photography seems a bit murky at times, too.  Looks like they shot some of the scenes on a rare overcast day in sunny California.  This gives the early going a kind of low-rent moodiness and there's so much going on I couldn't help but think of some old MST3K flicks like Teenagers from Outer Space or the immortal Teenage Strangler.  The sound quality is also suspect, with the mix erring on the upper range, so the dialogue comes across as overly shrill at times.  Of course a lot of this is due to this material being nearly forty years old.  Who's going to spend the money to re-master old episodes of Isis and bring them up to current audio-visual standards?

That's not a rhetorical question.  I want to know who will volunteer to do humanity this service.

More Isis reviews and commentaries are on their way!

Sorry for the lack of Isis fun.  I'm not pulling a Cindy Lee and vanishing on you.  I'm just very busy with preparing tests for my own students.  So I suppose you could say I'm as fun as Rick Mason, as wise as Dr. Barnes and as good looking as Andrea Thomas.  Things ease off next week so there should be more time for watching the show and writing about it.  I'm also preparing a big post comparing the show's characters to their DC comic book counterparts.  It involves a lot of screen grabs and Photoshop magic so it's become quite a project unto itself.  Look for it in the near future.

I'll post when I can, Isis fans!

The Secrets of Isis Episode 16: "Seeing Eye Horse"

The title, "Seeing Eye Horse," (September 11, 1976) is no metaphor.  This episode delivers exactly what it promises.  Award-winning equestrian Noah Schuster has lost his sight, and when surgery does nothing to improve his situation, Andrea Thomas and Rick Mason arrange for the lad to receive a seeing eye horse.  It's a lovely gesture from some caring people, but it also leads to a lot of complications.  Noah's a bit horse-shy after having a riding accident (Isis saves him) and feeling a bit angry as well.  When he blunders into a water cooler and the broken glass reflects enough sun to start a smoldering fire, it's going to take both the horse and the Egyptian goddess to save the day-- unless Noah figures out a way to do that for himself first.

Confined to a single location and apparently taking place over the course of two eventful days (or else one really long one), this is one frantic Isis episode.  And you probably want to stay as far away from Noah as possible in the event his lousy luck is contagious.  Poor guy endures bad news from his doctor (veteran character actor James Griffith, who was once a musician with Spike Jones and His City Slickers, with an acting career spanning decades), a runaway horse incident, the kindness of Ms. Thomas, starting a fire, falling in a lake, being rescued by a horse, then tumbling into a small hollow and briefly losing the ability to walk.  That is one unfortunate kid.  Or, if you prefer optimism, a very fortunate kid when you consider he has friends like Thomas and Mr. Mason.  And let's not forget Rennie Carol, as Ronalda Douglas makes her Isis debut in this episode, replacing fan favorite (this fan anyway) Joanna Pang as Cindy Lee.

Pang's bubbly presence is certainly missed.  I couldn't help but feel a little sad not seeing her in the credits.  Her absence is even more apparent because Douglas only has a few brief scenes and maybe three or four lines total, which means there's a lack of student sidekick action.  Douglas does, however, boldly wear denim overalls in what seems to be a visual challenge to Pang's baby blues.  Shocking stuff for Isis!  My first impressions of Douglas involve her soft voice and gracefully soothing presence.  Pang might have played the same scenes in a more chipper, upbeat way, but Douglas is just so very gentle.  Remember-- Cindy Lee had her own storyline in the show's second episode before settling into the sidekick role.  Let's see if Rennie gets a similar spotlight, and if they develop her personality as distinct from Cindy's.

I only wish the show told us where Cindy went to establish a little more continuity.  Speaking of-- Thomas is still driving that yellow Firebird.  But this year is all about change, and not just switching out student assistants.  Isis gets a new wavy/curly goddess wig, one that isn't as successfully integrated into the character's look as the long, straight one she wore in the first season.  This one appears to be a sort of fall, with Joanna Cameron's real hair parted in the middle and combed back on the sides in an effort to disguise it.  Unfortunately, the wig matches neither the shade nor the texture of Cameron's natural hair.  Her Isis transformation gets a glamour shot cutaway and her flying take-off features a close-up this time, rather than re-using that overly familiar stock footage we're probably all tired of already.  There's a new flying shot as well, but it's a bit clumsy, with Isis viewed in profile.  The head-on view is much more effective.  Still, it's nice to see the producers spending a little more money on the effects, if only for variety's sake.

Brian Cutler must have enjoyed shooting this episode.  He gets to be a little heroic himself.  When Noah's horse-- spooked by a sonic boom from a passing jet-- bolts wildly down the lane, it's Mr. Mason who cowboys up and gallops in pursuit, doing that cool "rein whip" move you do when you're trying to head 'em off at the pass (I hate that cliche!).  Cameron also demonstrates her horseback skills as Thomas shows Noah how to operate Sunny, the seeing eye horse.

Overall, this is a solid sophomore season debut, with the leads providing their usual grounded performances and the guest stars doing their best despite a busy script.  Gregory Elliot as Noah has to flail around helplessly and interact with a horse but he acquits himself well enough.  Kathleen O'Malley as Mrs. Schuster, his mom, has an incredible filmography stretching all the way back to the 1920s, when she was a baby.  She played a nurse in the 1955 Henry Fonda/Jack Lemon/James Cagney classic Mister Roberts, acted in two episodes of Leave it to Beaver, appeared on The Munsters, Twilight Zone, Bonanaza, Emergency!, Mary Tyler Moore, Columbo and Baretta just to name a few.  She managed a western star bi-fecta by showing up in two Clint Eastwood flicks-- okay, Dirty Harry isn't a western-- and John Wayne's The Shootist.

What I don't understand is how they could let Noah just wander around when he storms off after rejecting Sunny.  No one bothers to look for him.  In fact, thanks to some wonky editing, it's almost as if everyone simply disappears from the farm at one point.

Notes-- Thomas drives around with Tut in the backseat of her car, on a bird perch.  She leaves him in there for hours, perhaps even overnight.  Even with the windows down, that's not the proper way to treat your
animal companion.

The scene where she demonstrates Sunny to Noah is pretty neat.  Cameron handles herself in the saddle like a regular Annie Oakley.  I'm guessing Annie Oakley rode horses as well as doing all those trick shots with Buffalo Bill's show, but I'm not old enough to have witnessed any of that first hand so I could be wrong.  Whatever the case may be, Cameron looks comfy and that's saying a lot for someone acting atop an animal, even a highly trained one.  At one point she has to let go of the reins and just sit there while Sunny does his (or her) stuff.  And I'm thinking she and Cutler relished the chance to do that kind of physical stuff.  Looks like fun.

The Secrets of Isis Episode 15: "Dreams of Flight"

Chela Montoya dreams of flight.  She's made a neat little red glider that soars freely above Larkspur High the same way she dreams of doing.  Well, not so much above Larkspur High as above the earth itself as an astronaut.  She's quite the young aerodynamic engineer, but feels hindered by her brother Raoul, who thinks she's wasting her time.  Meanwhile, cocky Mark Dawson in his surplus army shirt with PFC chevrons on the sleeves wants everyone to know he's Larkspur's top gun, cockily declaring to a disapproving trio of Andrea Thomas, Rick Mason and Cindy Lee he plans to win the school's Aerodynamics Day.  "No lack of confidence in that boy," Thomas observes.  Then she's off to convince Raoul to let Chela enter the contest.

Raoul's struggling with a problem of his own.  He's supposed to paint a huge mural for the barrio, but he's got artist's block.  A quick talk with Thomas and then another more heartfelt one with Chela solves both her problems and his.  But that dastardly Mark just won't leave well enough alone.  Several foot chases ensue, a thrilling runaway truck misadventure with Raoul trapped in a trailer and then a tense moment where Mark, having stolen Chela's remote control airplane, finds himself hanging on for dear life above certain death with only Raoul to... WAIT!  HERE COMES ISIS!

"Dreams of Flight," which aired December 13, 1975, has a lot on its mind.  Too much.  It completely lacks focus, almost as if at some story conference the production team decided to combine two unrelated scripts about a bright young woman into airplanes and a talented artist intimidated by too large a canvas.  Maybe the first felt too slight and the second didn't present enough Isis action, so instead we get this mishmash.  It's heavy on the action, but that action is somewhat repetitive, with Raoul chasing Mark on foot not once but twice.  The first chase leads to one of the more exciting Isis rescues-- the goddess has to stop a runaway semi-truck because Raoul's gotten himself locked in the back-- but it feels kind of random.  Getting stuck in the trailer is bad enough, but then the sequence extends as the driverless truck careens down a mountain road (conveniently hugging the curves) until we've almost forgotten all about poor Chela.

I have to admit when the show established the Chela-Raoul conflict, I expected Raoul to be a macho ethnic stereotype.  Instead, he's a gentle artist who quickly sees reason and comes to understand he has to back his sister's dreams.  Even when Mark shows up and taunts him with a lot of racist insults and ignorance, Raoul takes it in stride.  He's too good natured to let this goon upset him with pure foolishness, but when Mark starts dicking around with Chela's plane, Raoul chases the coward away.  As played by Fabian Gregory, Raoul's one of the more pleasant characters on a show chock full of them.  Cynthia Avila as Chela ends up shortchanged as the show shifts its focus to the conflict between Raoul and Mark.  If only they'd allowed the story to climax at the Aeronautics Festival!

That's the episode's major flaw.  We expect Chela to prove her mettle by beating Mark fair and square in front of the entire student body, but instead we get trucks and rescues with Chala shunted aside.  She wins her victory without even being present and we never get to see her in direct competition with Mark or anyone else for that matter.  I feel like Milhouse whining, "When are they going to get to the fireworks factory?"  You just don't introduce a story element that huge and then refuse to deliver.  It's the story's natural climax and logical end game for Chela's character arc, not this footchase nonsense and Mark's accident and patently phony turnaround with its dubious message-- if only people of color could save each and every bigot from almost certain death, we'd live in a more progressive world.  I do like the denouement with Raoul's mural displaying elements of Chela's dreams, from a boy playing with a model, to Chela herself swinging in a tire, a winged Aztec warrior, a paper airplane, to a bold astronaut figure.  It's actually quite a lovely creation.

And there's ol' Mark, sitting in the bushes, all covered in multicolored splotches of paint.

After all these years having her character denied a real triumph is probably no big deal to Avila.  Her career continues to this day, and she's peachy in her few scenes, ably conveying the sweetness and smarts of a young woman with big dreams.  Gregory and Hinckley didn't fare as well professionally.  This was Gregory's last credit as far as I can determine, and Hickley disappeared after a one-episode appearance on The Krofft Supershow, which gave us Electra Woman and Dyna Girl, certainly more colorful but in all other aspects inferior to Isis as far as I'm concerned.  No, I don't really care about people entering puberty with the help of Deidre Hall, thank you very much.  Krofft nostalgia is very 1990s and way too easy, like hacky jokes about Shaggy and Scooby Doo smoking pot or Smurfs having sex with Smurfette.  Cindy Lee wouldn't listen to that kind of crap and I suggest you practice mental hygiene and do the same.

Where was I?  Oh yeah.  The guest actors on Isis.  Tom Williams, who has a quick scene as a helpful hobby shop owner, still does a lot of voice over work, most notably as a baby in approximately ten thousand TV shows and movies.  I guess that's his specialty.  He's also played cops and the like, which is probably to be expected of a tall middle-aged guy.  At least I hope he's still able to work.  He's in his eighties now, and his most recent credit was in 2006 as "Baby Ella" on the UPN sitcom Eve.  Guy's been in everything from Punk Brewster to The Torkelsons to Night Court to The Fresh Prince of Bel-Air.

Notes--  Larkspur High sure has a lot of science events.  They all seem to be fun as well as educational.  That's Andrea Thomas and Rick Mason for you-- the school was lucky when those two joined the faculty.  They're involved in the students' lives, knocking themselves out to make learning science enjoyable for everyone.  Any school would be thrilled to have two teachers like that!

Speaking of our teacher characters, I can't praise Joanna Cameron's performance as Thomas highly enough.  Whether she's encouraging Chela, verbally jousting with Mark, or giving Raoul a lesson in sibling support she's pitch-perfect in this episode.  Cameron easily could have headlined a prime-time TV show about a concerned and dedicated young teacher changing lives and boosting test scores even without the goddessy-superheroic trappings, and she still would have made it watchable.  There's never a sense of "Lord, I wish my career would take off and zephyr wind me out of here," just tons of charisma and complete commitment to making Thomas as believable as possible and Isis a dazzling role model.

Brian Cutler gives able support in his few scant scenes as well.

Sadly, we've come to the end of the Cindy Lee era.  She's not in this episode much, just at the beginning where she helps out with a little exposition and at the end declaring Raoul's painting to be "terrific!"  And wouldn't you know it-- she goes out the way she came in, wearing those baby blue overalls!  Sure, she starts the episode in a swinging blue miniskirt that Marcia Brady would kill to wear, but I can't think of a more fitting send-off for Cindy Lee than a last scene in those overalls.  Joanna Pang should have had them bronzed as a keepsake.  She might have if only she'd know this would be her final bow as Larkspur's perpetually cheerful factotum.

But don't worry, Isis fans.  We're going to keep on watching and commenting right through the Rennie Carol episodes.  I'm looking forward to them.  As I've noted before, I tuned into the second season of Isis only to feel let down by Cindy Lee's unexplained disappearance (that's still my only specific memory about watching this show).  I guess I just didn't like change.  Now I'm excited to figure out what Rennie Carol is all about.  Will she be as earnest and enthusiastic as Cindy Lee, or will she present a more low-key personality?  Whichever it is, she's definitely change the lead trio's chemistry.  And dietary habits.  No more deviled egg sandwiches for Rick Mason.

The Secrets of Isis Episode 14: "Scuba Duba"

Rick Mason is thoroughly disgusted with student Steve and his blatant disregard for scuba diving safety.  Steve lacks the patience and self-control necessary for scuba diving's many pre-dive checks and holds the buddy system in disdain.  This leads to a potentially tragic situation and only Larkspur High's resident goddess-- Cindy Lee-- can save the day.

No, just kidding again.  Of course it's Isis who help Steve learn a valuable lesson.

This is an episode heavy on the Rick Mason, which isn't a bad thing.  He's not like mayonaise, delicious in the proper proportions on a sandwich but ultimately overwhelming and muting even the sharp tang of mustard.  You can dollop Rick Mason on freely and he only brings out the best in your crisp, leafy greens such as lettuce and your thinly sliced deli meats.  I'm thinking turkey, but some of you may prefer ham or even roast beef.  Whatever you like, Rick Mason has you covered.  Brian Cutler gets to stretch a little and show greater range, within the still limited parameters of Isis.  It's not as if we're going to see an episode where Cutler gets to cut loose when Mason loses his fiance to heroin addiction or suffers a crisis of religious faith after witnessing a plane crash.  And that's okay.  We're not here for that.  We've seen flashes of the generally genial Mason's temper but "Scuba Duba" (airing December 6, 1975) shows him consistently frustrated with Steve, a nice enough but somewhat hard-headed guy who just seems determined to alienate the science teacher/scuba club sponsor.

When we first see Steve, he's excited about the possibility of photographing a rare eagle's nest.  His enthusiasm seems genuine and even endearing, and soon he's clambering down the side of a hill to get that snap.  Despite his apparent mountaineering experience and a stern warning from his more sensible friend Nancy (although practically everyone is more sensible than Steve; he makes show off Steve Elwood look like model citizen Cindy Lee), the danger-prone dude relies on a ratty old rope as his "safety" line.  It doesn't take long for him to come to grief, but luckily Andrea Thomas is on the scene with her own camera.  A quick change to Isis and Steve is free to bedevil poor Mr. Mason once more.  Twice more, in fact.

Born in 1953, Eileen "Nancy" Chesis had already been a series regular on The Tom Ewell Show (your guess is as good as mine) and clocked time on Bonanza (twice), but she seems to have made her debut on none other than Lassie.  After a guest appearance on Matt Helm, she apparently left the business, at least in front of the cameras.  Brian "Steve" Byers was a newcomer, having recently made his own debut on The Bob Newhart Show and he stuck it out long enough to play "Male Reporter #1" and "Medic" on two different episodes of Beverly Hills 90210 (although just thinking of a plot where he could have played "Male Reporter-Medic #1" on a single episode might provide fun for those of you stuck on the toilet for long periods... just waiting for something to happen).  Other credits include M*A*S*H, Three's Company, Joanie Loves Chachi and Full House.  Both give the solid, professional performances we've come to expect from Isis guest stars.  They aren't there to blow us away with flash and prove themselves the next Meryl Streep or Al Pacino.  They just have to be believable and sympathetic, and that's just what they do.

The show's underwater climax is quite exciting and the setting is a pleasant change of pace from the mountains and hills used in most episodes.  It has a novelty and a level of difficulty that appeals.  The scuba club appears to be diving in a very large lake or perhaps a cove or inlet, and once under, they encounter all kinds of underwater life, tall fronds of aquatic plants and whatnot that look more native to the ocean.  But what do I know about scuba diving?  My only experience with the sport is having some acquaintances who are PADI-certified.  I've always wanted to get certified myself, but despite my lifelong love for and interest in sharks (I've spent personal time studying them on my own, and fishing for them-- strictly catch-and-release-- off the Florida coast), I also have a strong phobia of them.  Specifically, being devoured by one while scuba diving.  I know fatal shark attacks while diving are at least as rare as fatal lightning strikes, but they're rarer still on land.

Notes--  Mason ultimately proves too nice for his own good.  Or maybe that's for the best for Steve.  It's not as if Steve's endangering anyone but himself, and this is one scare that directly impacts that aspect of the guy's personality; in this case, I truly believe he's learned a life lesson that will stick.  Although one thing that bugged me throughout the episode was the danger to the school's funding.  Kind of cold-blooded, you think?  Well, hear me out.

Mason and Ms. Thomas obviously have made Larkspur High one of the top academically performing schools in the state, which is why they get to have things like a scuba club in the first place.  That equipment is relatively expensive.  So Steve clowns around, gets himself seriously injured, or worse, killed-- then what happens to Rick Mason and Larkspur High?  Lawsuits, recriminations, possible firing, that's what.  Even though Mason has done everything humanly possible to prevent the tragedy, he's the one who will bear the brunt of the blame, and I seriously doubt the school board is willing to go down with him.  End result:  loss of a fine teacher, the collapse of the state's top academic program, the breaking of Dr. Barnes's mighty heart and declining resources left for Ms. Thomas.  Mason's career is on the line here, but so are the futures of many students like Cindy Lee and Nancy.

Sure, we worry (as does Mason) about Steve's young life, but it's also important to think of all the other consequences beyond just the grief counseling needed for his friends and classmates-- not to mention the devastation wrought on the guy's family-- if he'd managed to drown himself under Mason's supervision.  those are other reasons Mason is so angry at Steve, and why you should take some rules very seriously.  There's an Isis episode for you.

I think this way now that I'm an old person, but I probably would've been a complete Steve when I was 16 or 17.  Worse, even.

We also learn at the start of of this episode Andrea Thomas is a much better tennis player than Rick Mason.  I have to say Joanna Cameron looks like someone who knows how to handle a racket and I wish they'd thrown in a scene where she and Brian Cutler actually play a game.  Larkspur High's best science teachers are pretty well-rounded people when you think about it (and you should, rather than try to do something productive with your time).  Not only are they highly intelligent and motivated professional educators, but they're athletic and have their own outside interests--  Mason with his boating, scuba diving and pizza-eating and Thomas with her tennis prowess, trekking, bird-watching and nature photography.