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I later learned these were from Tomb of Dracula, drawn by Colan and inked by Tom Palmer. From then on, I was a dedicated follower of Gene Colan's work, even when his penciled art elevated substandard writing. The pull, the appeal of a Gene Colan art job was just that strong. When I picture Colan's art in my mind, I imagine his freely distorted his figures, the challenging perspectives, amazingly rich ink washes he laid on his work for Warren's Creepy and Eerie magazines and inventive page layouts with panels like shards of a broken mirror. He was a master of shadow, of mood and atmosphere.
There are a lot of artists whose work I totally adore, but only a handful I'd give anything to draw exactly like. Gene Colan is one of those and always will be. A tremendous talent. A legendary artist. Thanks, Mr. Colan.
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